Prologue

I had just come to accept that my life would be ordinary when extraordinary things began to happen. The first of these came as a terrible shock and, like anything that changes you forever, split my life into halves: Before and After. Like many of the extraordinary things to come, it involved my grandfather, Abraham Portman.

Growing up, Grandpa Portman was the most fascinating person I knew. He had lived in an orphanage, fought in wars, crossed oceans by steamship and deserts on horseback, performed in circuses, knew everything about guns and self-defense and surviving in the wilderness, and spoke at least three languages that weren't English. It all seemed unfathomably exotic to a kid who'd never left Florida, and I begged him to regale me with stories whenever I saw him. He always obliged, telling them like secrets that could be entrusted only to me.

When I was six I decided that my only chance of having a life half as exciting as Grandpa Portman's was to become an explorer. He encouraged me by spending afternoons at my side hunched over maps of the world, plotting imaginary expeditions with trails of red pushpins and telling me about the fantastic places I would discover one day. At home I made my ambitions known by parading around with a cardboard tube held to my eye, shouting, "Land ho!" and "Prepare a landing party!" until my parents shooed me outside. I think they worried that my grand father would infect me with some incurable dreaminess from which I'd never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn't become an explorer because everything in the world had already been discovered. I'd been born in the wrong century, and I felt cheated.

I felt even more cheated when I realized that most of Grandpa Portman's best stories couldn't possibly be true. The tallest tales were always about his childhood, like how he was born in Poland but at twelve had been shipped off to a children's home in Wales. When I would ask why he had to leave his parents, his answer was always the same: because the monsters were after him. Poland was simply rotten with them, he said.

"What kind of monsters?" I'd ask, wide-eyed. It became a sort of routine. "Awful hunched-over ones with rotting skin and black eyes," he'd say. "And they walked like this!" And he'd shamble after me like an old-time movie monster until I ran away laughing.

Every time he described them he'd toss in some lurid new detail: they stank like putrefying trash; they were invisible except for their shadows; a pack of squirming tentacles lurked inside their mouths and could whip out in an instant and pull you into their powerful jaws. It wasn't long before I had trouble falling asleep, my hyperactive imagination transforming the hiss of tires on wet pavement into labored breathing just outside my window or shadows under the door into twisting gray-black tentacles. I was scared of the monsters but thrilled to imagine my grandfather battling them and surviving to tell the tale.

More fantastic still were his stories about life in the Welsh children's home. It was an enchanted place, he said, designed to keep kids safe from the monsters, on an island where the sun shined every day and nobody ever got sick or died. Everyone lived together in a big house that was protected by a wise old bird—or so the story went. As I got older, though, I began to have doubts.

"What kind of bird?" I asked him one afternoon at age seven, eyeing him skeptically across the card table where he was letting me win at Monopoly.

"A big hawk who smoked a pipe," he said.

"You must think I'm pretty dumb, Grandpa."

He thumbed through his dwindling stack of orange and blue money. "I would never think that about you, Yakob." I knew I'd offended him because the Polish accent he could never quite shake had come out of hiding, so that would became vood and think became sink. Feeling guilty, I decided to give him the benefit of the doubt.

"But why did the monsters want to hurt you?" I asked.

"Because we weren't like other people. We were peculiar."

"Peculiar how?"

"Oh, all sorts of ways," he said. "There was a girl who could fly, a boy who had bees living inside him, a brother and sister who could lift boulders over their heads."

It was hard to tell if he was being serious. Then again, my grandfather was not known as a teller of jokes. He frowned, reading the doubt on my face.

"Fine, you don't have to take my word for it," he said. "I got pictures!" He pushed back his lawn chair and went into the house, leaving me alone on the screened-in lanai. A minute later he came back holding an old cigar box. I leaned in to look as he drew out four wrinkled and yellowing snapshots.

The first was a blurry picture of what looked like a suit of clothes with no person in them. Either that or the person didn't have a head.

"Sure, he's got a head!" my grandfather said, grinning. "Only you can't see it."

"Why not? Is he invisible?"

"Hey, look at the brain on this one!" He raised his eyebrows as if I'd surprised him with my powers of deduction. "Millard, his name was. Funny kid. Sometimes he'd say, 'Hey Abe, I know what you did today,' and he'd tell you where you'd been, what you had to eat, if you picked your nose when you thought nobody was looking. Sometimes he'd follow you, quiet as a mouse, with no clothes on so you couldn't see him—just watching!" He shook his head. "Of all the things, eh?"

He slipped me another photo. Once I'd had a moment to look at it, he said, "So? What do you see?"

"A little girl?"

"And?"

"She's wearing a crown."

He tapped the bottom of the picture. "What about her feet?"

I held the snapshot closer. The girl's feet weren't touching the ground. But she wasn't jumping—she seemed to be floating in the air. My jaw fell open.

"She's flying!"

"Close," my grandfather said. "She's levitating. Only she couldn't control herself too well, so sometimes we had to tie a rope around her to keep her from floating away!"

My eyes were glued to her haunting, doll-like face. "Is it real?"

"Of course it is," he said gruffly, taking the picture and replacing it with another, this one of a scrawny boy lifting a boulder. "Victor and his sister weren't so smart," he said, "but boy were they strong!"

"He doesn't look strong," I said, studying the boy's skinny arms.

"Trust me, he was. I tried to arm-wrestle him once and he just about tore my hand off!"

But the strangest photo was the last one. It was the back of somebody's head, with a face painted on it.

I stared at the last photo as Grandpa Portman explained. "He had two mouths, see? One in the front and one in the back. That's why he got so big and fat!"

"But it's fake," I said. "The face is just painted on."

"Sure, the paint's fake. It was for a circus show. But I'm telling you, he had two mouths. You don't believe me?"

I thought about it, looking at the pictures and then at my grandfather, his face so earnest and open. What reason would he have to lie?

"I believe you," I said.

And I really did believe him—for a few years, at least—though mostly because I wanted to, like other kids my age wanted to believe in Santa Claus. We cling to our fairy tales until the price for believing them becomes too high, which for me was the day in second grade when Robbie Jensen pantsed me at lunch in front of a table of girls and announced that I believed in fairies. It was just deserts, I suppose, for repeating my grandfather's stories at school but in those humiliating seconds I foresaw the moniker "fairy boy" trailing me for years and, rightly or not, I resented him for it.

Grandpa Portman picked me up from school that afternoon, as he often did when both my parents were working. I climbed into the passenger seat of his old Pontiac and declared that I didn't believe in his fairy stories anymore.

"What fairy stories?" he said, peering at me over his glasses.

"You know. The stories. About the kids and the monsters."

He seemed confused. "Who said anything about fairies?"

I told him that a made-up story and a fairy tale were the same thing, and that fairy tales were for pants-wetting babies, and that I knew his photos and stories were fakes. I expected him to get mad or put up a fight, but instead he just said, "Okay," and threw the Pontiac into drive. With a stab of his foot on the accelerator we lurched away from the curb. And that was the end of it.

I guess he'd seen it coming—I had to grow out of them eventually—but he dropped the whole thing so quickly it left me feeling like I'd been lied to. I couldn't understand why he'd made up all that stuff, tricked me into believing that extraordinary things were possible when they weren't. It wasn't until a few years later that my dad explained it to me: Grandpa had told him some of the same stories when he was a kid, and they weren't lies, exactly, but exaggerated versions of the truth—because the story of Grandpa Portman's childhood wasn't a fairy tale at all. It was a horror story.

My grandfather was the only member of his family to escape Poland before the Second World War broke out. He was twelve years old when his parents sent him into the arms of strangers, putting their youngest son on a train to Britain with nothing more than a suitcase and the clothes on his back. It was a one-way ticket. He never saw his mother or father again, or his older brothers, his cousins, his aunts and uncles. Each one would be dead before his sixteenth birthday, killed by the monsters he had so narrowly escaped. But these weren't the kind of monsters that had tentacles and rotting skin, the kind a seven-year-old might be able to wrap his mind around—they were monsters with human faces, in crisp uniforms, marching in lockstep, so banal you don't recognize them for what they are until it's too late.

Like the monsters, the enchanted-island story was also a truth in disguise. Compared to the horrors of mainland Europe, the children's home that had taken in my grandfather must've seemed like a paradise, and so in his stories it had become one: a safe haven of endless summers and guardian angels and magical children, who couldn't really fly or turn invisible or lift boulders, of course. The peculiarity for which they'd been hunted was simply their Jewishness. They were orphans of war, washed up on that little island in a tide of blood. What made them amazing wasn't that they had miraculous powers; that they had escaped the ghettos and gas chambers was miracle enough.

I stopped asking my grandfather to tell me stories, and I think secretly he was relieved. An air of mystery closed around the details of his early life. I didn't pry. He had been through hell and had a right to his secrets. I felt ashamed for having been jealous of his life, considering the price he'd paid for it, and I tried to feel lucky for the safe and unextraordinary one that I had done nothing to deserve.

Then, a few years later, when I was fifteen, an extraordinary and terrible thing happened, and there was only Before and After.

Chapter 1

I spent the last afternoon of Before constructing a 1/10,000-scale replica of the Empire State Building from boxes of adult diapers. It was a thing of beauty, really, spanning five feet at its base and towering above the cosmetics aisle, with jumbos for the foundation, lites for the observation deck, and meticulously stacked trial sizes for its iconic spire. It was almost perfect, minus one crucial detail.

"You used Neverleak," Shelley said, eyeing my craftsmanship with a skeptical frown. "The sale's on Stay-Tite." Shelley was the store manager, and her slumped shoulders and dour expression were as much a part of her uniform as the blue polo shirts we all had to wear.

"I thought you said Neverleak," I said, because she had.

"Stay-Tite," she insisted, shaking her head regretfully, as if my tower were a crippled racehorse and she the bearer of the pearl-handled pistol. There was a brief but awkward silence in which she continued to shake her head and shift her eyes from me to the tower and back to me again. I stared blankly at her, as if completely failing to grasp what she was passive-aggressively implying.

"Ohhhhhh," I said finally. "You mean you want me to do it over?"

"It's just that you used Neverleak," she repeated.

"No problem. I'll get started right away." With the toe of my regulation black sneaker I nudged a single box from the tower's foundation. In an instant the whole magnificent structure was cascading down around us, sending a tidal wave of diapers crashing across the floor, boxes caroming off the legs of startled customers, skidding as far as the automatic door, which slid open, letting in a rush of August heat.

Shelley's face turned the color of ripe pomegranate. She should've fired me on the spot, but I knew I'd never be so lucky. I'd been trying to get fired from Smart Aid all summer, and it had proved next to impossible. I came in late, repeatedly and with the flimsiest of excuses; made shockingly incorrect change; even misshelved things on purpose, stocking lotions among laxatives and birth control with baby shampoo. Rarely had I worked so hard at anything, and yet no matter how incompetent I pretended to be, Shelley stubbornly kept me on the payroll.

Let me qualify my previous statement: It was next to impossible for me to get fired from Smart Aid. Any other employee would've been out the door a dozen minor infractions ago. It was my first lesson in politics. There are three Smart Aids in Englewood, the small, somnolent beach town where I live. There are twenty-seven in Sarasota County, and one hundred and fifteen in all of Florida, spreading across the state like some untreatable rash. The reason I couldn't be fired was that my uncles owned every single one of them. The reason I couldn't quit was that working at Smart Aid as your first job had long been a hallowed family tradition. All my campaign of self-sabotage had earned me was an unwinnable feud with Shelley and the deep and abiding resentment of my coworkers—who, let's face it, were going to resent me anyway, because no matter how many displays I knocked over or customers I short-changed, one day I was going to inherit a sizable chunk of the company, and they were not.

* * *

Wading through the diapers, Shelley poked her finger into my chest and was about to say something dour when the PA system interrupted her.

"Jacob, you have a call on line two. Jacob, line two."

She glared at me as I backed away, leaving her pomegranate-faced amid the ruins of my tower.

* * *

The employee lounge was a dank, windowless room where I found the pharmacy assistant, Linda, nibbling a crustless sandwich in the vivid glow of the soda machine. She nodded at a phone screwed to the wall.

"Line two's for you. Whoever it is sounds freaked."

I picked up the dangling receiver.

"Yakob? Is that you?"

"Hi, Grandpa Portman."

"Yakob, thank God. I need my key. Where's my key?" He sounded upset, out of breath.

"What key?"

"Don't play games," he snapped. "You know what key."

"You probably just misplaced it."

"Your father put you up to this," he said. "Just tell me. He doesn't have to know."

"Nobody put me up to anything." I tried to change the subject. "Did you take your pills this morning?"

"They're coming for me, understand? I don't know how they found me after all these years, but they did. What am I supposed to fight them with, the goddamned butter knife?"

It wasn't the first time I'd heard him talk like this. My grandfather was getting old, and frankly he was starting to lose it. The signs of his mental decline had been subtle at first, like forgetting to buy groceries or calling my mother by my aunt's name. But over the summer his encroaching dementia had taken a cruel twist. The fantastic stories he'd invented about his life during the war—the monsters, the enchanted island—had become completely, oppressively real to him. He'd been especially agitated the last few weeks, and my parents, who feared he was becoming a danger to himself, were seriously considering putting him in a home. For some reason, I was the only one who received these apocalyptic phone calls from him.

As usual, I did my best to calm him down. "You're safe. Everything's fine. I'll bring over a video for us to watch later, how's that sound?"

"No! Stay where you are! It's not safe here!"

"Grandpa, the monsters aren't coming for you. You killed them all in the war, remember?" I turned to face the wall, trying to hide my end of this bizarre conversation from Linda, who shot me curious glances while pretending to read a fashion magazine.

"Not all of them," he said. "No, no, no. I killed a lot, sure, but there are always more." I could hear him banging around his house, opening drawers, slamming things. He was in full meltdown. "You stay away, hear me? I'll be fine—cut out their tongues and stab them in the eyes, that's all you gotta do! If I could just find that goddamned KEY!"

The key in question opened a giant locker in Grandpa Portman's garage. Inside was a stockpile of guns and knives sufficient to arm a small militia. He'd spent half his life collecting them, traveling to out-of-state gun shows, going on long hunting trips, and dragging his reluctant family to rifle ranges on sunny Sundays so they could learn to shoot. He loved his guns so much that sometimes he even slept with them. My dad had an old snapshot to prove it: Grandpa Portman napping with pistol in hand.

When I asked my dad why Grandpa was so crazy about guns, he said it sometimes happened to people who used to be soldiers or who had experienced traumatic things. I guess that after everything my grandfather had been through, he never really felt safe anywhere, not even at home. The irony was, now that delusions and paranoia were starting to get the best of him, it was true—he wasn't safe at home, not with all those guns around. That's why my dad had swiped the key.

I repeated the lie that I didn't know where it was. There was more swearing and banging as Grandpa Portman stomped around looking for it.

"Feh!" he said finally. "Let your father have the key if it's so important to him. Let him have my dead body, too!"

I got off the phone as politely as I could and then called my dad.

"Grandpa's flipping out," I told him.

"Has he taken his pills today?"

"He won't tell me. Doesn't sound like it, though."

I heard my dad sigh. "Can you stop by and make sure he's okay? I can't get off work right now." My dad volunteered part-time at the bird rescue, where he helped rehabilitate snowy egrets hit by cars and pelicans that had swallowed fishhooks. He was an amateur ornithologist and a wannabe nature writer—with a stack of unpublished manuscripts to prove it—which are real jobs only if you happen to be married to a woman whose family owns a hundred and fifteen drug stores.

Of course, mine was not the realest of jobs either, and it was easy to ditch whenever I felt like it. I said I would go.

"Thanks, Jake. I promise we'll get all this Grandpa stuff sorted out soon, okay?"

All this Grandpa stuff. "You mean put him in a home," I said. "Make him someone else's problem."

"Mom and I haven't decided yet."

"Of course you have."

"Jacob ..."

"I can handle him, Dad. Really."

"Maybe now you can. But he's only going to get worse."

"Fine. Whatever."

I hung up and called my friend Ricky for a ride. Ten minutes later I heard the unmistakable throaty honk of his ancient Crown Victoria in the parking lot. On my way out I broke the bad news to Shelley: her tower of Stay-Tite would have to wait until tomorrow.

"Family emergency," I explained.

"Right," she said.

I emerged into the sticky-hot evening to find Ricky smoking on the hood of his battered car. Something about his mud-encrusted boots and the way he let smoke curl from his lips and how the sinking sun lit his green hair reminded me of a punk, redneck James Dean. He was all of those things, a bizarre cross-pollination of subcultures possible only in South Florida.

He saw me and leapt off the hood. "You fired yet?" he shouted across the parking lot.

"Shhhh!" I hissed, running toward him. "They don't know my plan!"

Ricky punched my shoulder in a manner meant to be encouraging but that nearly snapped my rotator cuff. "Don't worry, Special Ed. There's always tomorrow."

He called me Special Ed because I was in a few gifted classes, which were, technically speaking, part of our school's special-education curriculum, a subtlety of nomenclature that Ricky found endlessly amusing. That was our friendship: equal parts irritation and cooperation. The cooperation part was an unofficial brains-for-brawn trade agreement we'd worked out in which I helped him not fail English and he helped me not get killed by the roided-out sociopaths who prowled the halls of our school. That he made my parents deeply uncomfortable was merely a bonus. He was, I suppose, my best friend, which is a less pathetic way of saying he was my only friend.

Ricky kicked the Crown Vic's passenger door, which was how you opened it, and I climbed in. The Vic was amazing, a museum-worthy piece of unintentional folk art. Ricky bought it from the town dump with a jar of quarters—or so he claimed—a pedigree whose odor even the forest of air-freshener trees he'd hung from the mirror couldn't mask. The seats were armored with duct tape so that errant upholstery springs wouldn't find their way up your ass. Best of all was the exterior, a rusted moonscape of holes and dents, the result of a plan to earn extra gas money by allowing drunken partygoers to whack the car with a golf club for a buck a swing. The only rule, which had not been rigorously enforced, was that you couldn't aim at anything made of glass.

The engine rattled to life in a cloud of blue smoke. As we left the parking lot and rolled past strip malls toward Grandpa Portman's house, I began to worry about what we might find when we got there. Worst-case scenarios included my grandfather running naked in the street, wielding a hunting rifle, foaming at the mouth on the front lawn, or lying in wait with a blunt object in hand. Anything was possible, and that this would be Ricky's first impression of a man I'd spoken about with reverence made me especially nervous.

The sky was turning the color of a fresh bruise as we pulled into my grandfather's subdivision, a bewildering labyrinth of interlocking cul-de-sacs known collectively as Circle Village. We stopped at the guard gate to announce ourselves, but the old man in the booth was snoring and the gate was open, as was often the case, so we just drove in. My phone chirped with a text from my dad asking how things were going, and in the short time it took me to respond, Ricky managed to get us completely, stunningly lost. When I said I had no idea where we were, he cursed and pulled a succession of squealing U-turns, spitting arcs of tobacco juice from his window as I scanned the neighborhood for a familiar landmark. It wasn't easy, even though I'd been to visit my grandfather countless times growing up, because each house looked like the next: squat and boxy with minor variations, trimmed with aluminum siding or dark seventies wood, or fronted by plaster colonnades that seemed almost delusionally aspirational. Street signs, half of which had turned a blank and blistered white from sun exposure, were little help. The only real landmarks were bizarre and colorful lawn ornaments, of which Circle Village was a veritable open-air museum.

Finally I recognized a mailbox held aloft by a metal butler that, despite his straight back and snooty expression, appeared to be crying tears of rust. I shouted at Ricky to turn left; the Vic's tires screeched and I was flung against the passenger door. The impact must've jarred something loose in my brain, because suddenly the directions came rushing back to me. "Right at the flamingo orgy! Left at the multiethnic roof Santas! Straight past the pissing cherubs!"

When we turned at the cherubs, Ricky slowed to a crawl and peered doubtfully down my grandfather's block. There was not a single porch light on, not a TV glowing behind a window, not a Town Car in a carport. All the neighbors had fled north to escape the punishing summer heat, leaving yard gnomes to drown in lawns gone wild and hurricane shutters shut tight, so that each house looked like a little pastel bomb shelter.

"Last one on the left," I said. Ricky tapped the accelerator and we sputtered down the street. At the fourth or fifth house, we passed an old man watering his lawn. He was bald as an egg and stood in a bathrobe and slippers, spraying the ankle-high grass. The house was dark and shuttered like the rest. I turned to look and he seemed to stare back—though he couldn't have, I realized with a small shock, because his eyes were a perfect milky white. That's strange, I thought. Grandpa Portman never mentioned that one of his neighbors was blind.

The street ended at a wall of scrub pines and Ricky hung a sharp left into my grandfather's driveway. He cut the engine, got out, and kicked my door open. Our shoes hushed through the dry grass to the porch.

I rang the bell and waited. A dog barked somewhere, a lonely sound in the muggy evening. When there was no answer I banged on the door, thinking maybe the bell had stopped working. Ricky swatted at the gnats that had begun to clothe us.

"Maybe he stepped out," Ricky said, grinning. "Hot date."

"Go ahead and laugh," I said. "He's got a better shot than we do any night of the week. This place is crawling with eligible widows." I joked only to calm my nerves. The quiet made me anxious.

I fetched the extra key from its hiding place in the bushes. "Wait here."

"Hell I am. Why?"

"Because you're six-five and have green hair and my grandfather doesn't know you and owns lots of guns."

Ricky shrugged and stuck another wad of tobacco in his cheek. He went to stretch himself on a lawn chair as I unlocked the front door and stepped inside.

Even in the fading light I could tell the house was a disaster; it looked like it'd been ransacked by thieves. Bookshelves and cabinets had been emptied, the knicknacks and large-print Reader's Digests that had filled them thrown across the floor. Couch cushions and chairs were overturned. The fridge and freezer doors hung open, their contents melting into sticky puddles on the linoleum.

My heart sank. Grandpa Portman had really, finally lost his mind. I called his name—but heard nothing.

I went from room to room, turning on lights and looking anywhere a paranoid old man might hide from monsters: behind furniture, in the attic crawlspace, under the workbench in the garage. I even checked inside his weapons cabinet, though of course it was locked, the handle ringed by scratches where he'd tried to pick it. Out on the lanai, a gallows of unwatered ferns swung browning in the breeze; while on my knees on the astroturfed floor I peered beneath rattan benches, afraid what I might discover.

I saw a gleam of light from the backyard.

Running through the screen door, I found a flashlight abandoned in the grass, its beam pointed at the woods that edged my grandfather's yard—a scrubby wilderness of sawtoothed palmettos and trash palms that ran for a mile between Circle Village and the next subdivision, Century Woods. According to local legend, the woods were crawling with snakes, raccoons, and wild boars. When I pictured my grandfather out there, lost and raving in nothing but his bathrobe, a black feeling welled up in me. Every other week there was a news story about some geriatric citizen tripping into a retention pond and being devoured by alligators. The worst-case scenario wasn't hard to imagine.

I shouted for Ricky and a moment later he came tearing around the side of the house. Right away he noticed something I hadn't: a long mean-looking slice in the screen door. He let out a low whistle. "That's a helluva cut. Wild pig coulda done it. Or a bobcat maybe. You should see the claws on them things."

A peal of savage barking broke out nearby. We both started then traded a nervous glance. "Or a dog," I said. The sound triggered a chain reaction across the neighborhood, and soon barks were coming from every direction.

"Could be," Ricky said, nodding. "I got a .22 in my trunk. You just wait." And he walked off to retrieve it.

The barks faded and a chorus of night insects rose up in their place, droning and alien. Sweat trickled down my face. It was dark now, but the breeze had died and somehow the air seemed hotter than it had all day.

I picked up the flashlight and stepped toward the trees. My grandfather was out there somewhere, I was sure of it. But where? I was no tracker, and neither was Ricky. And yet something seemed to guide me anyway—a quickening in the chest; a whisper in the viscous air—and suddenly I couldn't wait another second. I tromped into the underbrush like a bloodhound scenting an invisible trail.

It's hard to run in a Florida woods, where every square foot not occupied by trees is bristling with thigh-high palmetto spears and nets of entangling skunk vine, but I did my best, calling my grandfather's name and sweeping my flashlight everywhere. I caught a white glint out of the corner of my eye and made a beeline for it, but upon closer inspection it turned out to be just a bleached and deflated soccer ball I'd lost years before.

I was about to give up and go back for Ricky when I spied a narrow corridor of freshly stomped palmettos not far away. I stepped into it and shone my light around; the leaves were splattered with something dark. My throat went dry. Steeling myself, I began to follow the trail. The farther I went, the more my stomach knotted, as though my body knew what lay ahead and was trying to warn me. And then the trail of the flattened brush widened out, and I saw him.

My grandfather lay facedown in a bed of creeper, his legs sprawled out and one arm twisted beneath him as if he'd fallen from a great height. I thought surely he was dead. His undershirt was soaked with blood, his pants were torn, and one shoe was missing. For a long moment I just stared, the beam of my flashlight shivering across his body. When I could breathe again I said his name, but he didn't move.

I sank to my knees and pressed the flat of my hand against his back. The blood that soaked through was still warm. I could feel him breathing ever so shallowly.

I slid my arms under him and rolled him onto his back. He was alive, though just barely, his eyes glassy, his face sunken and white. Then I saw the gashes across his midsection and nearly fainted. They were wide and deep and clotted with soil, and the ground where he'd lain was muddy from blood. I tried to pull the rags of his shirt over the wounds without looking at them.

I heard Ricky shout from the backyard. "I'M HERE!" I screamed, and maybe I should've said more, like danger or blood, but I couldn't form the words. All I could think was that grandfathers were supposed to die in beds, in hushed places humming with machines, not in heaps on the sodden reeking ground with ants marching over them, a brass letter opener clutched in one trembling hand.

A letter opener. That was all he'd had to defend himself. I slid it from his finger and he grasped helplessly at the air, so I took his hand and held it. My nail-bitten fingers twinned with his, pale and webbed with purple veins.

"I have to move you," I told him, sliding one arm under his back and another under his legs. I began to lift, but he moaned and went rigid, so I stopped. I couldn't bear to hurt him. I couldn't leave him either, and there was nothing to do but wait, so I gently brushed loose soil from his arms and face and thinning white hair. That's when I noticed his lips moving.

His voice was barely audible, something less than a whisper. I leaned down and put my ear to his lips. He was mumbling, fading in and out of lucidity, shifting between English and Polish.

"I don't understand," I whispered. I repeated his name until his eyes seemed to focus on me, and then he drew a sharp breath and said, quietly but clearly, "Go to the island, Yakob. Here it's not safe."

It was the old paranoia. I squeezed his hand and assured him we were fine, he was going to be fine. That was twice in one day that I'd lied to him.

I asked him what happened, what animal had hurt him, but he wasn't listening. "Go to the island," he repeated. "You'll be safe there. Promise me."

"I will. I promise." What else could I say?

"I thought I could protect you," he said. "I should've told you a long time ago ..." I could see the life going out of him.

"Told me what?" I said, choking back tears.

"There's no time," he whispered. Then he raised his head off the ground, trembling with the effort, and breathed into my ear: "Find the bird. In the loop. On the other side of the old man's grave. September third, 1940." I nodded, but he could see that I didn't understand. With his last bit of strength, he added, "Emerson—the letter. Tell them what happened, Yakob."

With that he sank back, spent and fading. I told him I loved him. And then he seemed to disappear into himself, his gaze drifting past me to the sky, bristling now with stars.

A moment later Ricky crashed out of the underbrush. He saw the old man limp in my arms and fell back a step. "Oh man. Oh Jesus. Oh Jesus," he said, rubbing his face with his hands, and as he babbled about finding a pulse and calling the cops and did you see anything in the woods, the strangest feeling came over me. I let go of my grandfather's body and stood up, every nerve ending tingling with an instinct I didn't know I had. There was something in the woods, all right—I could feel it.

There was no moon and no movement in the underbrush but our own, and yet somehow I knew just when to raise my flashlight and just where to aim it, and for an instant in that narrow cut of light I saw a face that seemed to have been transplanted directly from the nightmares of my childhood. It stared back with eyes that swam in dark liquid, furrowed trenches of carbon-black flesh loose on its hunched frame, its mouth hinged open grotesquely so that a mass of long eel-like tongues could wriggle out. I shouted something and then it twisted and was gone, shaking the brush and drawing Ricky's attention. He raised his .22 and fired, pap-pap-pap-pap, saying, "What was that? What the hell was that?" But he hadn't seen it and I couldn't speak to tell him, frozen in place as I was, my dying flashlight flickering over the blank woods. And then I must've blacked out because he was saying Jacob, Jake, hey Ed areyouokayorwhat, and that's the last thing I remember.

Chapter 2

I spent the months following my grandfather's death cycling through a purgatory of beige waiting rooms and anonymous offices, analyzed and interviewed, talked about just out of earshot, nodding when spoken to, repeating myself, the object of a thousand pitying glances and knitted brows. My parents treated me like a breakable heirloom, afraid to fight or fret in front of me lest I shatter.

I was plagued by wake-up-screaming nightmares so bad that I had to wear a mouth guard to keep from grinding my teeth into nubs as I slept. I couldn't close my eyes without seeing it—that tentacle-mouth horror in the woods. I was convinced it had killed my grandfather and that it would soon return for me. Sometimes that sick panicky feeling would flood over me like it did that night and I'd be sure that nearby, lurking in a stand of dark trees, beyond the next car in a parking lot, behind the garage where I kept my bike, it was waiting.

My solution was to stop leaving the house. For weeks I refused even to venture into the driveway to collect the morning paper. I slept in a tangle of blankets on the laundry room floor, the only part of the house with no windows and also a door that locked from the inside. That's where I spent the day of my grandfather's funeral, sitting on the dryer with my laptop, trying to lose myself in online games.

I blamed myself for what happened. If only I'd believed him was my endless refrain. But I hadn't believed him, and neither had anyone else, and now I knew how he must've felt because no one believed me, either. My version of events sounded perfectly rational until I was forced to say the words aloud, and then it sounded insane, particularly on the day I had to say them to the police officer who came to our house. I told him everything that had happened, even about the creature, as he sat nodding across the kitchen table, writing nothing in his spiral notebook. When I finished all he said was, "Great, thanks," and then turned to my parents and asked if I'd "been to see anyone." As if I wouldn't know what that meant. I told him I had another statement to make and then held up my middle finger and walked out.

My parents yelled at me for the first time in weeks. It was kind of a relief, actually—that old sweet sound. I yelled some ugly things back. That they were glad Grandpa Portman was dead. That I was the only one who'd really loved him.

The cop and my parents talked in the driveway for a while, and then the cop drove off only to come back an hour later with a man who introduced himself as a sketch artist. He'd brought a big drawing pad and asked me to describe the creature again, and as I did he sketched it, stopping occasionally to ask for clarifications.

"How many eyes did it have?"

"Two."

"Gotcha," he said, as if monsters were a perfectly normal thing for a police sketch artist to be drawing.

As an attempt to placate me, it was pretty transparent. The biggest giveaway was when he tried to give me the finished sketch.

"Don't you need this for your files or something?" I asked him.

He exchanged raised eyebrows with the cop. "Of course. What was I thinking?"

It was totally insulting.

Even my best and only friend Ricky didn't believe me, and he'd been there. He swore up and down that he hadn't seen any creature in the woods that night—even though I'd shined my flashlight right at it—which is just what he told the cops. He'd heard barking, though. We both had. So it wasn't a huge surprise when the police concluded that a pack of feral dogs had killed my grandfather. Apparently they'd been spotted elsewhere and had taken bites out of a woman who'd been walking in Century Woods the week before. All at night, mind you. "Which is exactly when the creatures are hardest to see!" I said. But Ricky just shook his head and muttered something about me needing a "brain-shrinker."

"You mean head-shrinker," I replied, "and thanks a lot. It's great to have such supportive friends." We were sitting on my roof deck watching the sun set over the Gulf, Ricky coiled like a spring in an unreasonably expensive Adirondack chair my parents had brought back from a trip to Amish country, his legs folded beneath him and arms crossed tight, chain-smoking cigarettes with a kind of grim determination. He always seemed vaguely uncomfortable at my house, but I could tell by the way his eyes slid off me whenever he looked in my direction that now it wasn't my parents' wealth that was making him uneasy, but me.

"Whatever, I'm just being straight with you," he said. "Keep talking about monsters and they're gonna put you away. Then you really will be Special Ed."

"Don't call me that."

He flicked away his cigarette and spat a huge glistening wad over the railing.

"Were you just smoking and chewing tobacco at the same time?"

"What are you, my mom?"

"Do I look like I blow truckers for food stamps?"

Ricky was a connoisseur of your-mom jokes, but this was apparently more than he could take. He sprang out of the chair and shoved me so hard I almost fell off the roof. I yelled at him to get out, but he was already going.

It was months before I'd see him again. So much for having friends.

* * *

Eventually, my parents did take me to a brain-shrinker—a quiet, olive-skinned man named Dr. Golan. I didn't put up a fight. I knew I needed help.

I thought I'd be a tough case, but Dr. Golan made surprisingly quick work of me. The calm, affectless way he explained things was almost hypnotizing, and within two sessions he'd convinced me that the creature had been nothing more than the product of my overheated imagination; that the trauma of my grandfather's death had made me see something that wasn't really there. It was Grandpa Portman's stories that had planted the creature in my mind to begin with, Dr. Golan explained, so it only made sense that, kneeling there with his body in my arms and reeling from the worst shock of my young life, I had conjured up my grandfather's own bogeyman.

There was even a name for it: acute stress reaction. "I don't see anything cute about it," my mother said when she heard my shiny new diagnosis. Her joke didn't bother me, though. Almost anything sounded better than crazy.

Just because I no longer believed the monsters were real didn't mean I was better, though. I still suffered from nightmares. I was twitchy and paranoid, bad enough at interacting with other people that my parents hired a tutor so that I only had to go to school on days I felt up to it. They also—finally—let me quit Smart Aid. "Feeling better" became my new job.

Pretty soon, I was determined to be fired from this one, too. Once the small matter of my temporary madness had been cleared up, Dr. Golan's function seemed mainly to consist of writing prescriptions. Still having nightmares? I've got something for that. Panic attack on the school bus? This should do the trick. Can't sleep? Let's up the dosage. All those pills were making me fat and stupid, and I was still miserable, getting only three or four hours of sleep a night. That's why I started lying to Dr. Golan. I pretended to be fine when anyone who looked at me could see the bags under my eyes and the way I jumped like a nervous cat at sudden noises. One week I faked an entire dream journal, making my dreams sound bland and simple, the way a normal person's should be. One dream was about going to the dentist. In another I was flying. Two nights in a row, I told him, I'd dreamed I was naked in school.

Then he stopped me. "What about the creatures?"

I shrugged. "No sign of them. Guess that means I'm getting better, huh?"

Dr. Golan tapped his pen for a moment and then wrote something down. "I hope you're not just telling me what you think I want to hear."

"Of course not," I said, my gaze skirting the framed degrees on his wall, all attesting to his expertness in various subdisciplines of psychology, including, I'm sure, how to tell when an acutely stressed teenager is lying to you.

"Let's be real for a minute." He set down his pen. "You're telling me you didn't have the dream even one night this week?"

I'd always been a terrible liar. Rather than humiliate myself, I copped to it. "Well," I muttered, "maybe one."

The truth was that I'd had the dream every night that week. With minor variations, it always went like this: I'm crouched in the corner of my grandfather's bedroom, amber dusk-light retreating from the windows, pointing a pink plastic BB rifle at the door. An enormous glowing vending machine looms where the bed should be, filled not with candy but rows of razor-sharp tactical knives and armor-piercing pistols. My grandfather's there in an old British army uniform, feeding the machine dollar bills, but it takes a lot to buy a gun and we're running out of time. Finally, a shiny .45 spins toward the glass, but before it falls it gets stuck. He swears in Yiddish, kicks the machine, then kneels down and reaches inside to try and grab it, but his arm gets caught. That's when they come, their long black tongues slithering up the outside of the glass, looking for a way in. I point the BB gun at them and pull the trigger, but nothing happens. Meanwhile Grandpa Portman is shouting like a crazy person—find the bird, find the loop, Yakob vai don't you understand you goddamned stupid yutzi—and then the windows shatter and glass rains in and the black tongues are all over us, and that's generally when I wake up in a puddle of sweat, my heart doing hurdles and my stomach tied in knots.

Even though the dream was always the same and we'd been over it a hundred times, Dr. Golan still made me describe it in every session. It's like he was cross-examining my subconscious, looking for some clue he might have missed the ninety-ninth time around.

"And in the dream, what's your grandfather saying?"

"The same stuff as always," I said. "About the bird and the loop and the grave."

"His last words."

I nodded.

Dr. Golan tented his fingers and pressed them to his chin, the very picture of a thoughtful brain-shrinker. "Any new ideas about what they might mean?"

"Yeah. Jack and shit."

"Come on. You don't mean that."

I wanted to act like I didn't care about the last words, but I did. They'd been eating away at me almost as much as the nightmares. I felt like I owed it to my grandfather not to dismiss the last thing he said to anyone in the world as delusional nonsense, and Dr. Golan was convinced that understanding them might help purge my awful dreams. So I tried.

Some of what Grandpa Portman had said made sense, like the thing about wanting me to go to the island. He was worried that the monsters would come after me, and thought the island was the only place I could escape them, like he had as a kid. After that he'd said, "I should've told you," but because there was no time to tell me whatever it was he should've told me, I wondered if he hadn't done the next best thing and left a trail of bread crumbs leading to someone who could tell me—someone who knew his secret. I figured that's what all the cryptic-sounding stuff about the loop and the grave and the letter was.

For a while I thought "the loop" could be a street in Circle Village—a neighborhood that was nothing but looping cul-de-sacs—and that "Emerson" might be a person my grandfather had sent letters to. An old war buddy he'd kept in touch with or something. Maybe this Emerson lived in Circle Village, in one of its loops, by a graveyard, and one of the letters he'd kept was dated September third, 1940, and that was the one I needed to read. I knew it sounded crazy, but crazier things have turned out to be true. So after hitting dead-ends online I went to the Circle Village community center, where the old folks gather to play shuffleboard and discuss their most recent surgeries, to ask where the graveyard was and whether anyone knew a Mr. Emerson. They looked at me like I had a second head growing out of my neck, baffled that a teenaged person was speaking to them. There was no graveyard in Circle Village and no one in the neighborhood named Emerson and no street called Loop Drive or Loop Avenue or Loop anything. It was a complete bust.

Still, Dr. Golan wouldn't let me quit. He suggested I look into Ralph Waldo Emerson, a supposedly famous old poet. "Emerson wrote his fair share of letters," he said. "Maybe that's what your grandfather was referring to." It seemed like a shot in the dark, but, just to get Golan off my back, one afternoon I had my dad drop me at the library so I could check it out. I quickly discovered that Ralph Waldo Emerson had indeed written lots of letters that had been published. For about three minutes I got really excited, like I was close to a breakthrough, and then two things became apparent: first, that Ralph Waldo Emerson had lived and died in the 1800s and therefore could not have written any letters dated September third, 1940, and, second, that his writing was so dense and arcane that it couldn't possibly have held the slightest interest for my grandfather, who wasn't exactly an avid reader. I discovered Emerson's soporific qualities the hard way, by falling asleep with my face in the book, drooling all over an essay called "Self-Reliance" and having the vending-machine dream for the sixth time that week. I woke up screaming and was unceremoniously ejected from the library, cursing Dr. Golan and his stupid theories all the while.

The last straw came a few days later, when my family decided it was time to sell Grandpa Portman's house. Before prospective buyers could be allowed inside, though, the place had to be cleaned out. On the advice of Dr. Golan, who thought it would be good for me to "confront the scene of my trauma," I was enlisted to help my dad and Aunt Susie sort through the detritus. For a while after we got to the house my dad kept taking me aside to make sure I was okay. Surprisingly, I seemed to be, despite the scraps of police tape clinging to the shrubs and the torn screen on the lanai flapping in the breeze; these things—like the rented Dumpster that stood on the curb, waiting to swallow what remained of my grandfather's life—made me sad, not scared.

Once it became clear I wasn't about to suffer a mouth-frothing freak-out, we got down to business. Armed with garbage bags we proceeded grimly through the house, emptying shelves and cabinets and crawl spaces, discovering geometries of dust beneath objects unmoved for years. We built pyramids of things that could be saved or salvaged and pyramids of things destined for the Dumpster. My aunt and father were not sentimental people, and the Dumpster pile was always the largest. I lobbied hard to keep certain things, like the eight-foot stack of water-damaged National Geographic magazines teetering in a corner of the garage—how many afternoons had I spent poring over them, imagining myself among the mud men of New Guinea or discovering a cliff-top castle in the kingdom of Bhutan?—but I was always overruled. Neither was I allowed to keep my grandfather's collection of vintage bowling shirts ("They're embarrassing," my dad claimed), his big band and swing 78s ("Someone will pay good money for those"), or the contents of his massive, still-locked weapons cabinet ("You're kidding, right? I hope you're kidding").

I told my dad he was being heartless. My aunt fled the scene, leaving us alone in the study, where we'd been sorting through a mountain of old financial records.

"I'm just being practical. This is what happens when people die, Jacob."

"Yeah? How about when you die? Should I burn all your old manuscripts?"

He flushed. I shouldn't have said it; mentioning his half-finished book projects was definitely below the belt. Instead of yelling at me, though, he was quiet. "I brought you along today because I thought you were mature enough to handle it. I guess I was wrong."

"You are wrong. You think getting rid of all Grandpa's stuff will make me forget him. But it won't."

He threw up his hands. "You know what? I'm sick of fighting about it. Keep whatever you want." He tossed a sheaf of yellowed papers at my feet. "Here's an itemized schedule of deductions from the year Kennedy was assassinated. Go have it framed!"

I kicked away the papers and walked out, slamming the door behind me, and then waited in the living room for him to come out and apologize. When I heard the shredder roar to life I knew he wasn't going to, so I stomped across the house and locked myself in the bedroom. It smelled of stale air and shoe leather and my grandfather's slightly sour cologne. I leaned against the wall, my eyes following a trail worn into the carpet between the door and the bed, where a rectangle of muted sun caught the edge of a box that poked out from beneath the bedspread. I went over and knelt down and pulled it out. It was the old cigar box, enveloped in dust—as if he'd left it there just for me to find.

Inside were the photos I knew so well: the invisible boy, the levitating girl, the boulder lifter, the man with a face painted on the back of his head. They were brittle and peeling—smaller than I remembered, too—and looking at them now, as an almost adult, it struck me how blatant the fakery was. A little burning and dodging was probably all it took to make the "invisible" boy's head disappear. The giant rock being hoisted by that suspiciously scrawny kid could have easily been made out of plaster or foam. But these observations were too subtle for a six-year-old, especially one who wanted to believe.

Beneath those photos were five more that Grandpa Portman had never shown me. I wondered why, until I looked closer. Three were so obviously manipulated that even a kid would've seen through them: one was a laughable double exposure of a girl "trapped" in a bottle; another showed a "levitating" child, suspended by something hidden in the dark doorway behind her; the third was a dog with a boy's face pasted crudely onto it. As if these weren't bizarre enough, the last two were like something out of David Lynch's nightmares: one was an unhappy young contortionist doing a frightening backbend; in the other a pair of freakish twins were dressed in the weirdest costumes I'd ever seen. Even my grandfather, who'd filled my head with stories of tentacle-tongued monsters, had realized images like these would give any kid bad dreams.

Kneeling there on my grandfather's dusty floor with those photos in my hands, I remembered how betrayed I'd felt the day I realized his stories weren't true. Now the truth seemed obvious: his last words had been just another sleight of hand, and his last act was to infect me with nightmares and paranoid delusions that would take years of therapy and metabolism-wrecking medications to rout out.

I closed the box and brought it into the living room, where my dad and Aunt Susie were emptying a drawer full of coupons, clipped but never used, into a ten-gallon trash bag.

I offered up the box. They didn't ask what was inside.

* * *

"So that's it?" Dr. Golan said. "His death was meaningless?"

I'd been lying on the couch watching a fish tank in the corner, its one golden prisoner swimming in lazy circles. "Unless you've got a better idea," I said. "Some big theory about what it all means that you've haven't told me. Otherwise ..."

"What?"

"Otherwise, this is just a waste of time."

He sighed and pinched the bridge of his nose as if trying to dispel a headache. "What your grandfather's last words meant isn't my conclusion to draw," he said. "It's what you think that matters."

"That is such psychobabble bullshit," I spat. "It's not what I think that matters; it's what's true! But I guess we'll never know, so who cares? Just dope me up and collect the bill."

I wanted him to get mad—to argue, to insist I was wrong—but instead he sat poker faced, drumming the arm of his chair with his pen. "It sounds like you're giving up," he said after a moment. "I'm disappointed. You don't strike me as a quitter."

"Then you don't know me very well," I replied.

* * *

I could not have been less in the mood for a party. I'd known I was in for one the moment my parents began dropping unsubtle hints about how boring and uneventful the upcoming weekend was sure to be, when we all knew perfectly well I was turning sixteen. I'd begged them to skip the party this year because, among other reasons, I couldn't think of a single person I wanted to invite, but they worried that I spent too much time alone, clinging to the notion that socializing was therapeutic. So was electroshock, I reminded them. But my mother was loath to pass up even the flimsiest excuse for a celebration—she once invited friends over for our cockatiel's birthday—in part because she loved to show off our house. Wine in hand, she'd herd guests from room to overfurnished room, extolling the genius of the architect and telling war stories about the construction ("It took months to get these sconces from Italy").

We'd just come home from my disastrous session with Dr. Golan. I was following my dad into our suspiciously dark living room as he muttered things like "What a shame we didn't plan anything for your birthday" and "Oh well, there's always next year," when all the lights flooded on to reveal streamers, balloons, and a motley assortment of aunts, uncles, cousins I rarely spoke to—anyone my mother could cajole into attending—and Ricky, whom I was surprised to see lingering near the punch bowl, looking comically out of place in a studded leather jacket. Once everyone had finished cheering and I'd finished pretending to be surprised, my mom slipped her arm around me and whispered, "Is this okay?" I was upset and tired and just wanted to play Warspire III: The Summoning before going to bed with the TV on. But what were we going to do, send everyone home? I said it was fine, and she smiled as if to thank me.

"Who wants to see the new addition?" she sang out, pouring herself some chardonnay before marching a troupe of relatives up the stairs.

Ricky and I nodded to each other across the room, wordlessly agreeing to tolerate the other's presence for an hour or two. We hadn't spoken since the day he nearly shoved me off the roof, but we both understood the importance of maintaining the illusion of having friends. I was about to go talk to him when my Uncle Bobby grabbed me by the elbow and pulled me into a corner. Bobby was a big barrel-chested guy who drove a big car and lived in a big house and would eventually succumb to a big heart attack from all the foie gras and Monster Thick-burgers he'd packed into his colon over the years, leaving everything to my pothead cousins and his tiny quiet wife. He and my uncle Les were copresidents of Smart Aid, and they were always doing this—pulling people into corners for conspiratorial chats, as if plotting a mob hit rather than complimenting the hostess on her guacamole.

"So, your mom tells me you're really turning the corner with, uh ... on this whole Grandpa thing."

My thing. No one knew what to call it.

"Acute stress reaction," I said.

"What?"

"That's what I had. Have. Whatever."

"That's good. Real good to hear." He waved his hand as if putting all that unpleasantness behind us. "So your mom and I were thinking. How'd you like to come up to Tampa this summer, see how the family business works? Crack heads with me at HQ for a while? Unless you love stocking shelves!" He laughed so loudly that I took an involuntary step backward. "You could even stay at the house, do a little tarpon fishing with me and your cousins on the weekends." He then spent five long minutes describing his new yacht, going into elaborate, almost pornographic detail, as if that alone were enough to close the deal. When he finished, he grinned and stuck out his hand for me to shake. "So whaddaya think, J-dogg?"

I guess it was designed to be an offer I couldn't refuse, but I'd have rather spent the summer in a Siberian labor camp than live with my uncle and his spoiled kids. As for working at Smart Aid HQ, I knew it was a probably inevitable part of my future, but I'd been counting on at least a few more summers of freedom and four years of college before I had to lock myself in a corporate cage. I hesitated, trying to think of a graceful way out. Instead what I said was, "I'm not sure my psychiatrist would think it's such a great idea right now."

His bushy eyebrows came together. Nodding vaguely, he said, "Oh, well, sure, of course. We'll just play it by ear then, pal, how's that sound?" And then he walked off without waiting for an answer, pretending to see someone across the room whose elbow he needed to grab.

My mother announced that it was time to open presents. She always insisted I do this in front of everyone, which was a problem because, as I may have mentioned already, I'm not a good liar. That also means I'm not good at feigning gratitude for regifted CDs of country Christmas music or subscriptions to Field and Stream—for years Uncle Les had labored under the baffling delusion that I am "outdoorsy"—but for decorum's sake I forced a smile and held up each unwrapped trinket for all to admire until the pile of presents left on the coffee table had shrunk to just three.

I reached for the smallest one first. Inside was the key to my parents' four-year-old luxury sedan. They were getting a new one, my mom explained, so I was inheriting the old one. My first car! Everyone oohed and aahed, but I felt my face go hot. It was too much like showing off to accept such a lavish present in front of Ricky, whose car cost less than my monthly allowance at age twelve. It seemed like my parents were always trying to get me to care about money, but I didn't, really. Then again, it's easy to say you don't care about money when you have plenty of it.

The next present was the digital camera I'd begged my parents for all last summer. "Wow," I said, testing its weight in my hand. "This is awesome."

"I'm outlining a new bird book," my dad said. "I was thinking maybe you could take the pictures."

"A new book!" my mom exclaimed. "That's a phenomenal idea, Frank. Speaking of which, whatever happened to that last book you were working on?" Clearly, she'd had a few glasses of wine.

"I'm still ironing out a few things," my dad replied quietly.

"Oh, I see." I could hear Uncle Bobby snickering.

"Okay!" I said loudly, reaching for the last present. "This one's from Aunt Susie."

"Actually," my aunt said as I began tearing away the wrapping paper, "it's from your grandfather."

I stopped midtear. The room went dead quiet, people looking at Aunt Susie as if she'd invoked the name of some evil spirit. My dad's jaw tensed and my mom shot back the last of her wine.

"Just open it and you'll see," Aunt Susie said.

I ripped away the rest of the wrapping paper to find an old hardback book, dog-eared and missing its dust jacket. It was The Selected Works of Ralph Waldo Emerson. I stared at it as if trying to read through the cover, unable to comprehend how it had come to occupy my now-trembling hands. No one but Dr. Golan knew about the last words, and he'd promised on several occasions that unless I threatened to guzzle Drano or do a backflip off the Sunshine Skyway bridge, everything we talked about in his office would be held in confidence.

I looked at my aunt, a question on my face that I didn't quite know how to ask. She managed a weak smile and said, "I found it in your grandfather's desk when we were cleaning out the house. He wrote your name in the front. I think he meant for you to have it."

God bless Aunt Susie. She had a heart after all.

"Neat. I didn't know your grandpa was a reader," my mom said, trying to lighten the mood. "That was thoughtful."

"Yes," said my dad through clenched teeth. "Thank you, Susan."

I opened the book. Sure enough, the title page bore an inscription in my grandfather's shaky handwriting.

I got up to leave, afraid I might start crying in front of everyone, and something slipped out from between the pages and fell to the floor.

I bent to pick it up. It was a letter.

Emerson. The letter.

I felt the blood drain from my face. My mother leaned toward me and in a tense whisper asked if I needed a drink of water, which was Mom-speak for keep it together, people are staring. I said, "I feel a little, uh ..." and then, with one hand over my stomach, I bolted to my room.

* * *

The letter was handwritten on fine, unlined paper in looping script so ornate it was almost calligraphy, the black ink varying in tone like that of an old fountain pen. It read:

As promised, the writer had enclosed an old snapshot.

I held it under the glow of my desk lamp, trying to read some detail in the woman's silhouetted face, but there was none to find. The image was so strange, and yet it was nothing like my grandfather's pictures. There were no tricks here. It was just a woman—a woman smoking a pipe. It looked like Sherlock Holmes's pipe, curved and drooping from her lips. My eyes kept coming back to it.

Was this what my grandfather had meant for me to find? Yes, I thought, it has to be—not the letters of Emerson, but a letter, tucked inside Emerson's book. But who was this headmistress, this Peregrine woman? I studied the envelope for a return address but found only a fading postmark that read Cairnholm Is., Cymru, UK.

UK—that was Britain. I knew from studying atlases as a kid that Cymru meant Wales. Cairnholm Is had to be the island Miss Peregrine had mentioned in her letter. Could it have been the same island where my grandfather lived as a boy?

Nine months ago he'd told me to "find the bird." Nine years ago he had sworn that the children's home where he'd lived was protected by one—by "a bird who smoked a pipe." At age seven I'd taken this statement literally, but the headmistress in the picture was smoking a pipe, and her name was Peregrine, a kind of hawk. What if the bird my grandfather wanted me to find was actually the woman who'd rescued him—the headmistress of the children's home? Maybe she was still on the island, after all these years, old as dirt but sustained by a few of her wards, children who'd grown up but never left.

For the first time, my grandfather's last words began to make a strange kind of sense. He wanted me to go to the island and find this woman, his old headmistress. If anyone knew the secrets of his childhood, it would be her. But the envelope's postmark was fifteen years old. Was it possible she was still alive? I did some quick calculations in my head: If she'd been running a children's home in 1939 and was, say, twenty-five at the time, then she'd be in her late nineties today. So it was possible—there were people older than that in Englewood who still lived by themselves and drove—and even if Miss Peregrine had passed away in the time since she'd sent the letter, there might still be people on Cairnholm who could help me, people who had known Grandpa Portman as a kid. People who knew his secrets.

We, she had written. Those few who remain.

* * *

As you can imagine, convincing my parents to let me spend part of my summer on a tiny island off the coast of Wales was no easy task. They—particularly my mother—had many compelling reasons why this was a wretched idea, including the cost, the fact that I was supposed to spend the summer with Uncle Bobby learning how to run a drug empire, and that I had no one to accompany me, since neither of my parents had any interest in going and I certainly couldn't go alone. I had no effective rebuttals, and my reason for wanting to make the trip—I think I'm supposed to—wasn't something I could explain without sounding even crazier than they already feared I was. I certainly wasn't going to tell my parents about Grandpa Portman's last words or the letter or the photo—they would've had me committed. The only sane-sounding arguments I could come up with were things like, "I want to learn more about our family history" and the never-persuasive "Chad Kramer and Josh Bell are going to Europe this summer. Why can't I?" I brought these up as frequently as possible without seeming desperate (even once resorting to "it's not like you don't have the money," a tactic I instantly regretted), but it looked like it wasn't going to happen.

Then several things happened that helped my case enormously. First, Uncle Bobby got cold feet about my spending the summer with him—because who wants a nutcase living in their house? So my schedule was suddenly wide open. Next, my dad learned that Cairnholm Island is a super-important bird habitat, and, like, half the world's population of some bird that gives him a total ornithology boner lives there. He started talking a lot about his hypothetical new bird book, and whenever the subject came up I did my best to encourage him and sound interested. But the most important factor was Dr. Golan. After a surprisingly minimal amount of coaxing by me, he shocked us all by not only signing off on the idea but also encouraging my parents to let me go.

"It could be important for him," he told my mother after a session one afternoon. "It's a place that's been so mythologized by his grandfather that visiting could only serve to demystify it. He'll see that it's just as normal and unmagical as anyplace else, and, by extension, his grandfather's fantasies will lose their power. It could be a highly effective way of combating fantasy with reality."

"But I thought he already didn't believe that stuff," my mother said, turning to me. "Do you, Jake?"

"I don't," I assured her.

"Not consciously he doesn't," Dr. Golan said. "But it's his unconscious that's causing him problems right now. The dreams, the anxiety."

"And you really think going there could help?" my mother said, narrowing her eyes at him as if readying herself to hear the unvarnished truth. When it came to things I should or should not be doing, Dr. Golan's word was law.

"I do," he replied.

And that was all it took.

* * *

After that, things fell into place with astonishing speed. Plane tickets were bought, schedules scheduled, plans laid. My dad and I would go for three weeks in June. I wondered if that was too long, but he claimed he needed at least that much time to make a thorough study of the island's bird colonies. I thought mom would object—three whole weeks!—but the closer our trip got, the more excited for us she seemed. "My two men," she would say, beaming, "off on a big adventure!"

I found her enthusiasm kind of touching, actually—until the afternoon I overheard her talking on the phone to a friend, venting about how relieved she'd be to "have her life back" for three weeks and not have "two needy children to worry about."

I love you too, I wanted to say with as much hurtful sarcasm as I could muster, but she hadn't seen me, and I kept quiet. I did love her, of course, but mostly just because loving your mom is mandatory, not because she was someone I think I'd like very much if I met her walking down the street. Which she wouldn't be, anyway; walking is for poor people.

During the three-week window between the end of school and the start of our trip, I did my best to verify that Ms. Alma LeFay Peregrine still resided among the living, but Internet searches turned up nothing. Assuming she was still alive, I had hoped to get her on the phone and at least warn her that I was coming, but I soon discovered that almost no one on Cairnholm even had a phone. I found only one number for the entire island, so that's the one I dialed.

It took nearly a minute to connect, the line hissing and clicking, going quiet, then hissing again, so that I could feel every mile of the vast distance my call was spanning. Finally I heard that strange European ring—waaap-waaap ... waaap-waaap—and a man whom I could only assume was profoundly intoxicated answered the phone.

"Piss hole!" he bellowed. There was an unholy amount of noise in the background, the kind of dull roar you'd expect at the height of a raging frat party. I tried to identify myself, but I don't think he could hear me.

"Piss hole!" he bellowed again. "Who's this now?" But before I could say anything he'd pulled the receiver away from his head to shout at someone. "I said shaddap, ya dozy bastards, I'm on the—"

And then the line went dead. I sat with the receiver to my ear for a long, puzzled moment, then hung up. I didn't bother calling back. If Cairnholm's only phone connected to some den of iniquity called the "piss hole," how did that bode for the rest of the island? Would my first trip to Europe be spent evading drunken maniacs and watching birds evacuate their bowels on rocky beaches? Maybe so. But if it meant that I'd finally be able to put my grandfather's mystery to rest and get on with my unextraordinary life, anything I had to endure would be worth it.

Chapter 3

Fog closed around us like a blindfold. When the captain announced that we were nearly there, at first I thought he was kidding; all I could see from the ferry's rolling deck was an endless curtain of gray. I clutched the rail and stared into the green waves, contemplating the fish who might soon be enjoying my breakfast, while my father stood shivering beside me in shirtsleeves. It was colder and wetter than I'd ever known June could be. I hoped, for his sake and mine, that the grueling thirty-six hours we'd braved to get this far—three airplanes, two layovers, shift-napping in grubby train stations, and now this interminable gut-churning ferry ride—would pay off. Then my father shouted, "Look!" and I raised my head to see a towering mountain of rock emerge from the blank canvas before us.

It was my grandfather's island. Looming and bleak, folded in mist, guarded by a million screeching birds, it looked like some ancient fortress constructed by giants. As I gazed up at its sheer cliffs, tops disappearing in a reef of ghostly clouds, the idea that this was a magical place didn't seem so ridiculous.

My nausea seemed to vanish. Dad ran around like a kid on Christmas, his eyes glued to the birds wheeling above us. "Jacob, look at that!" he cried, pointing to a cluster of airborne specks. "Manx Shearwaters!"

As we drew nearer the cliffs, I began to notice odd shapes lurking underwater. A passing crewman caught me leaning over the rail to stare at them and said, "Never seen a shipwreck before, eh?"

I turned to him. "Really?"

"This whole area's a nautical graveyard. It's like the old captains used to say—'Twixt Hartland Point and Cairnholm Bay is a sailor's grave by night or day!' "

Just then we passed a wreck that was so near the surface, the outline of its greening carcass so clear, that it looked like it was about to rise out of the water like a zombie from a shallow grave. "See that one?" he said, pointing at it. "Sunk by a U-boat, she was."

"There were U-boats around here?"

"Loads. Whole Irish Sea was rotten with German subs. Wager you'd have half a navy on your hands if you could unsink all the ships they torpedoed." He arched one eyebrow dramatically, then walked off laughing.

I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we'd need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I'd seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.

The ferry docked and we humped our bags into the little town. Upon closer inspection I decided it was, like a lot of things, not as pretty up close as it seemed from a distance. Whitewashed cottages, quaint except for the satellite dishes sprouting from their roofs, lined a small grid of muddy gravel streets. Because Cairnholm was too distant and too inconsequential to justify the cost of running power lines from the mainland, foul-smelling diesel generators buzzed on every corner like angry wasps, harmonizing with the growl of tractors, the island's only vehicular traffic. At the edges of town, ancient-looking cottages stood abandoned and roofless, evidence of a shrinking population, children lured away from centuries-old fishing and farming traditions by more glamorous opportunities elsewhere.

We dragged our stuff through town looking for something called the Priest Home, where my dad had booked a room. I pictured an old church converted into a bed and breakfast—nothing fancy, just somewhere to sleep when we weren't watching birds or chasing down leads. We asked a few locals for directions but got only confused looks in return. "They speak English, right?" my dad wondered aloud. Just as my hand was beginning to ache from the unreasonable weight of my suitcase, we came upon a church. We thought we'd found our accommodations, until we went inside and saw that it had indeed been converted, but into a dingy little museum, not a B&B.

We found the part-time curator in a room hung with old fishing nets and sheep shears. His face lit up when he saw us, then fell when he realized we were only lost.

"I reckon you're after the Priest Hole," he said. "It's got the only rooms to let on the island."

He proceeded to give us directions in a lilting accent, which I found enormously entertaining. I loved hearing Welsh people talk, even if half of what they said was incomprehensible to me. My dad thanked the man and turned to go, but he'd been so helpful, I hung back to ask him another question.

"Where can we find the old children's home?"

"The old what?" he said, squinting at me.

For an awful moment I was afraid we'd come to the wrong island or, worse yet, that the home was just another thing my grandfather had invented.

"It was a home for refugee kids?" I said. "During the war? A big house?"

The man chewed his lip and regarded me doubtfully, as if deciding whether to help or to wash his hands of the whole thing. But he took pity on me. "I don't know about any refugees," he said, "but I think I know the place you mean. It's way up the other side of the island, past the bog and through the woods. Though I wouldn't go mucking about up there alone, if I was you. Stray too far from the path and that's the last anyone'll hear of you—nothing but wet grass and sheep patties to keep you from going straight over a cliff."

"That's good to know," my dad said, eyeing me. "Promise me you won't go by yourself."

"All right, all right."

"What's your interest in it, anyhow?" the man said. "It's not exactly on the tourist maps."

"Just a little genealogy project," my father replied, lingering near the door. "My dad spent a few years there as a kid." I could tell he was eager to avoid any mention of psychiatrists or dead grandfathers. He thanked the man again and quickly ushered me out the door.

Following the curator's directions, we retraced our steps until we came to a grim-looking statue carved from black stone, a memorial called the Waiting Woman dedicated to islanders lost at sea. She wore a pitiful expression and stood with arms outstretched in the direction of the harbor, many blocks away, but also toward the Priest Hole, which was directly across the street. Now, I'm no hotel connoisseur, but one glance at the weathered sign told me that our stay was unlikely to be a four-star mints-on-your-pillow-type experience. Printed in giant script at the top was WINES, ALES, SPIRITS. Below that, in more modest lettering, Fine Food. Handwritten along the bottom, clearly an afterthought, was Rooms to Let, though the s had been struck out, leaving just the singular Room. As we lugged our bags toward the door, my father grumbling about con men and false advertising, I glanced back at the Waiting Woman and wondered if she wasn't just waiting for someone to bring her a drink.

We squeezed our bags through the doorway and stood blinking in the sudden gloom of a low-ceilinged pub. When my eyes had adjusted, I realized that hole was a pretty accurate description of the place: tiny leaded windows admitted just enough light to find the beer tap without tripping over tables and chairs on the way. The tables, worn and wobbling, looked like they might be more useful as firewood. The bar was half-filled, at whatever hour of the morning it was, with men in various states of hushed intoxication, heads bowed prayerfully over tumblers of amber liquid.

"You must be after the room," said the man behind the bar, coming out to shake our hands. "I'm Kev and these are the fellas. Say hullo, fellas."

"Hullo," they muttered, nodding at their drinks.

We followed Kev up a narrow staircase to a suite of rooms (plural!) that could charitably be described as basic. There were two bedrooms, the larger of which Dad claimed, and a room that tripled as a kitchen, dining room, and living room, meaning that it contained one table, one moth-eaten sofa, and one hotplate. The bathroom worked "most of the time," according to Kev, "but if it ever gets dicey, there's always Old Reliable." He directed our attention to a portable toilet in the alley out back, conveniently visible from my bedroom window.

"Oh, and you'll need these," he said, fetching a pair of oil lamps from a cabinet. "The generators stop running at ten since petrol's so bloody expensive to ship out, so either you get to bed early or you learn to love candles and kerosene." He grinned. "Hope it ain't too medieval for ya!"

We assured Kev that outhouses and kerosene would be just fine, sounded like fun, in fact—a little adventure, yessir—and then he led us downstairs for the finalleg of our tour. "You're welcome to take your meals here," he said, "and I expect you will, on account of there's nowhere else to eat. If you need to make a call, we got a phone box in the corner there. Sometimes there's a bit of a queue for it, though, since we get doodly for mobile reception out here and you're looking at the only land-line on the island. That's right, we got it all—only food, only bed, only phone!" And he leaned back and laughed, long and loud.

The only phone on the island. I looked over at it—it was the kind that had a door you could pull shut for privacy, like the ones you see in old movies—and realized with dawning horror that this was the Grecian orgy, this was the raging frat party I had been connected to when I called the island a few weeks ago. This was the piss hole.

Kev handed my dad the keys to our rooms. "Any questions," he said, "you know where to find me."

"I have a question," I said. "What's a piss—I mean, a priest hole?"

The men at the bar burst into laughter. "Why, it's a hole for priests, of course!" one said, which made the rest of them laugh even harder.

Kev walked over to an uneven patch of floorboards next to the fireplace, where a mangy dog lay sleeping. "Right here," he said, tapping what appeared to be a door in the floor with his shoe. "Ages ago, when just being a Catholic could get you hung from a tree, clergyfolk came here seeking refuge. If Queen Elizabeth's crew of thugs come chasing after, we hid whoever needed hiding in snug little spots like this—priest holes." It struck me the way he said we, as if he'd known those long-dead islanders personally.

"Snug indeed!" one of the drinkers said. "Bet they were warm as toast and tight as drums down there!"

"I'd take warm and snug to strung up by priest killers any day," said another.

"Here, here!" the first man said. "To Cairnholm—may she always be our rock of refuge!"

"To Cairnholm!" they chorused, and raised their glasses together.

* * *

Jet-lagged and exhausted, we went to sleep early—or rather we went to our beds and lay in them with pillows covering our heads to block out the thumping cacophony that issued through the floorboards, which grew so loud that at one point I thought surely the revelers had invaded my room. Then the clock must've struck ten because all at once the buzzing generators outside sputtered and died, as did the music from downstairs and the streetlight that had been shining through my window. Suddenly I was cocooned in silent, blissful darkness, with only the whisper of distant waves to remind me where I was.

For the first time in months, I fell into a deep, nightmare-free slumber. I dreamed instead about my grandfather as a boy, about his first night here, a stranger in a strange land, under a strange roof, owing his life to people who spoke a strange tongue. When I awoke, sun streaming through my window, I realized it wasn't just my grandfather's life that Miss Peregrine had saved, but mine, too, and my father's. Today, with any luck, I would finally get to thank her.

I went downstairs to find my dad already bellied up to a table, slurping coffee and polishing his fancy binoculars. Just as I sat down, Kev appeared bearing two plates loaded with mystery meat and fried toast. "I didn't know you could fry toast," I remarked, to which Kev replied that there wasn't a food he was aware of that couldn't be improved by frying.

Over breakfast, Dad and I discussed our plan for the day. It was to be a kind of scout, to familiarize ourselves with the island. We'd scope out my dad's bird-watching spots first and then find the children's home. I scarfed my food, anxious to get started.

Well fortified with grease, we left the pub and walked through town, dodging tractors and shouting to each other over the din of generators until the streets gave way to fields and the noise faded behind us. It was a crisp and blustery day—the sun hiding behind giant cloudbanks only to burst out moments later and dapple the hills with spectacular rays of light—and I felt energized and hopeful. We were heading for a rocky beach where my dad had spotted a bunch of birds from the ferry. I wasn't sure how we would reach it, though—the island was slightly bowl shaped, with hills that climbed toward its edges only to drop off at precarious seaside cliffs—but at this particular spot the edge had been rounded off and a path led down to a minor spit of sand along the water.

We picked our way down to the beach, where what seemed to be an entire civilization of birds were flapping and screeching and fishing in tide pools. I watched my father's eyes widen. "Fascinating," he muttered, scraping at some petrified guano with the stubby end of his pen. "I'm going to need some time here. Is that all right?"

I'd seen this look on his face before, and I knew exactly what "some time" meant: hours and hours. "Then I'll go find the house by myself," I said.

"Not alone, you aren't. You promised."

"Then I'll find a person who can take me."

"Who?"

"Kev will know someone."

My dad looked out to sea, where a big rusted lighthouse jutted up from a pile of rocks. "You know what the answer would be if your mom were here," he said.

My parents had differing theories about how much parenting I required. Mom was the enforcer, always hovering, but Dad hung back a little. He thought it was important that I make my own mistakes now and then. Also, letting me go would free him to play with guano all day.

"Okay," he said, "but make sure you leave me the number of whoever you go with."

"Dad, nobody here has phones."

He sighed. "Right. Well, as long as they're reliable."

* * *

Kev was out running an errand, and because asking one of his drunken regulars to chaperone me seemed like a bad idea, I went into the nearest shop to ask someone who was at least gainfully employed. The door read FISHMONGER. I pushed it open to find myself cowering before a bearded giant in a blood-soaked apron. He left off decapitating fish to glare at me, dripping cleaver in hand, and I vowed never again to discriminate against the intoxicated.

"What the hell for?" he growled when I told him where I wanted to go. "Nothing over there but bogland and barmy weather."

I explained about my grandfather and the children's home. He frowned at me, then leaned over the counter to cast a doubtful glance at my shoes.

"I s'pose Dylan ain't too busy to take you," he said, pointing his cleaver at a kid about my age who was arranging fish in a freezer case, "but you'll be wantin' proper footwear. Wouldn't do to let you go in them trainers—mud'll suck 'em right off!"

"Really?" I said. "Are you sure?"

"Dylan! Fetch our man here a pair of Wellingtons!"

The kid groaned and made a big show of slowly closing the freezer case and cleaning his hands before slouching over to a wall of shelves packed with dry goods.

"Just so happens we've got some good sturdy boots on offer," the fishmonger said. "Buy one get none free!" He burst out laughing and slammed his cleaver on a salmon, its head shooting across the blood-slicked counter to land perfectly in a little guillotine bucket.

I fished the emergency money Dad had given me from my pocket, figuring that a little extortion was a small price to pay to find the woman I'd crossed the Atlantic to meet.

I left the shop wearing a pair of rubber boots so large my sneakers fit inside and so heavy it was difficult to keep up with my begrudging guide.

"So, do you go to school on the island?" I asked Dylan, scurrying to catch up. I was genuinely curious—what was living here like for someone my age?

He muttered the name of a town on the mainland.

"What is that, an hour each way by ferry?"

"Yup."

And that was it. He responded to further attempts at conversation with even fewer syllables—which is to say, none—so finally I just gave up and followed him. On the way out of town we ran into one of his friends, an older boy wearing a blinding yellow track suit and fake gold chains. He couldn't have looked more out of place on Cairnholm if he'd been dressed like an astronaut. He gave Dylan a fist-bump and introduced himself as Worm.

"Worm?"

"It's his stage name," Dylan explained.

"We're the sickest rapping duo in Wales," Worm said. "I'm MC Worm, and this is the Sturgeon Surgeon, aka Emcee Dirty Dylan, aka Emcee Dirty Bizniss, Cairnholm's number one beat-boxer. Wanna show this Yank how we do, Dirty D?"

Dylan looked annoyed. "Now?"

"Drop some next-level beats, son!"

Dylan rolled his eyes but did as he was asked. At first I thought he was choking on his tongue, except there was a rhythm to his sputtering coughs,—puhh, puh-CHAH, puh-puhhh, puh-CHAH—over which Worm began to rap.

"I likes to get wrecked up down at the Priest Hole / Your dad's always there 'cause he's on the dole / My rhymes is tight, yeah I make it look easy / Dylan's beats are hot like chicken jalfrezi!"

Dylan stopped. "That don't even make sense," he said. "And it's your dad who's on the dole."

"Oh shit, Dirty D let the beat drop!" Worm started beat-boxing while doing a passable robot, his sneakers twisting holes in the gravel. "Take the mic, D!"

Dylan seemed embarrassed but let the rhymes fly anyway. "I met a tight bird and her name was Sharon / She was keen on my tracksuit and the trainers I was wearin' / I showed her the time, like Doctor Who / I thunk up this rhyme while I was in the loo!"

Worm shook his head. "The loo?"

"I wasn't ready!"

They turned to me and asked what I thought. Considering that they didn't even like each other's rapping, I wasn't sure what to say.

"I guess I'm more into music with, like, singing and guitars and stuff."

Worm dismissed me with a wave of his hand. "He wouldn't know a dope rhyme if it bit him in the bollocks," he muttered.

Dylan laughed and they exchanged a series of complex, multistage handshake-fist-bump-high-fives.

"Can we go now?" I said.

They grumbled and dawdled a while longer, but pretty soon we were on our way, this time with Worm tagging along.

I took up the rear, trying to figure out what I would say to Miss Peregrine when I met her. I was expecting to be introduced to a proper Welsh lady and sip tea in the parlor and make polite small talk until the time seemed right to break the bad news. I'm Abraham Portman's grandson, I would say. I'm sorry to be the one to tell you this, but he's been taken from us. Then, once she'd finished quietly dabbing away tears, I would ply her with questions.

I followed Dylan and Worm along a path that wound through pastures of grazing sheep before a lung-busting ascent up a ridge. At the top hovered an embankment of rolling, snaking fog so dense it was like stepping into another world. It was truly biblical; a fog I could imagine God, in one of his lesser wraths, cursing the Egyptians with. As we descended the other side it only seemed to thicken. The sun faded to a pale white bloom. Moisture clung to everything, beading on my skin and dampening my clothes. The temperature dropped. I lost Worm and Dylan for a moment and then the path flattened and I came upon them just standing, waiting for me.

"Yank boy!" Dylan called. "This way!"

I followed obediently. We abandoned the path to plow through a field of marshy grass. Sheep stared at us with big leaky eyes, their wool soggy and tails drooping. A small house appeared out of the mist. It was all boarded up.

"You sure this is it?" I said. "It looks empty."

"Empty? No way, there's loads of shit in there," Worm replied.

"Go on," said Dylan. "Have a look."

I had a feeling it was a trick but stepped up to the door and knocked anyway. It was unlatched and opened a little at my touch. It was too dark to see inside, so I took a step through—and, to my surprise, down—into what looked like a dirt floor but, I quickly realized, was in fact a shin-deep ocean of excrement. This tenantless hovel, so innocent looking from the outside, was really a makeshift sheep stable. Quite literally a shithole.

"Oh my God!" I squealed in disgust.

Peals of laughter exploded from outside. I stumbled backward through the door before the smell could knock me unconscious and found the boys doubled over, holding their stomachs.

"You guys are assholes," I said, stomping the muck off my boots.

"Why?" said Worm. "We told you it was full of shit!"

I got in Dylan's face. "Are you gonna show me the house or not?"

"He's serious," said Worm, wiping tears from his eyes.

"Of course I'm serious!"

Dylan's smile faded. "I thought you were taking a piss, mate."

"Taking a what?"

"Joking, like."

"Well, I wasn't."

The boys exchanged an uneasy look. Dylan whispered something to Worm. Worm whispered something back. Finally Dylan turned and pointed up the path. "If you really want to see it," he said, "keep going past the bog and through the woods. It's a big old place. You can't miss it."

"What the hell. You're supposed to go with me!"

Worm looked away and said, "This is as far as we go."

"Why?"

"It just is." And they turned and began to trudge back the way we'd come, receding into the fog.

I weighed my options. I could tuck tail and follow my tormenters back to town, or I could go ahead alone and lie to Dad about it.

After four seconds of intense deliberation, I was on my way.

* * *

A vast, lunar bog stretched away into the mist from either side of the path, just brown grass and tea-colored water as far as I could see, featureless but for the occasional mound of piled-up stones. It ended abruptly at a forest of skeletal trees, branches spindling up like the tips of wet paintbrushes, and for a while the path became so lost beneath fallen trunks and carpets of ivy that navigating it was a matter of faith. I wondered how an elderly person like Miss Peregrine would ever be able to negotiate such an obstacle course. She must get deliveries, I thought, though the path looked like it hadn't seen a footprint in months, if not years.

I scrambled over a giant trunk slick with moss, and the path took a sharp turn. The trees parted like a curtain and suddenly there it was, cloaked in fog, looming atop a weed-choked hill. The house. I understood at once why the boys had refused to come.

My grandfather had described it a hundred times, but in his stories the house was always a bright, happy place—big and rambling, yes, but full of light and laughter. What stood before me now was no refuge from monsters but a monster itself, staring down from its perch on the hill with vacant hunger. Trees burst forth from broken windows and skins of scabrous vine gnawed at the walls like antibodies attacking a virus—as if nature itself had waged war against it—but the house seemed unkillable, resolutely upright despite the wrongness of its angles and the jagged teeth of sky visible through sections of collapsed roof.

I tried to convince myself that it was possible someone could still live there, run-down as it was. Such things weren't unheard of where I came from—a falling-down wreck on the edge of town, curtains permanently drawn, that would turn out to have been home to some ancient recluse who'd been surviving on ramen and toenail clippings since time immemorial, though no one realizes it until a property appraiser or an overly ambitious census taker barges in to find the poor soul returning to dust in a La-Z-Boy. People get too old to care for a place, their family writes them off for one reason or another—it's sad, but it happens. Which meant, like it or not, that I was going to have to knock.

I gathered what scrawny courage I had and waded through waist-high weeds to the porch, all broken tile and rotting wood, to peek through a cracked window. All I could make out through the smeared glass were the outlines of furniture, so I knocked on the door and stood back to wait in the eerie silence, tracing the shape of Miss Peregrine's letter in my pocket. I'd taken it along in case I needed to prove who I was, but as a minute ticked by, then two, it seemed less and less likely that I would need it.

Climbing down into the yard, I circled the house looking for another way in, taking the measure of the place, but it seemed almost without measure, as though with every corner I turned the house sprouted new balconies and turrets and chimneys. Then I came around back and saw my opportunity: a doorless doorway, bearded with vines, gaping and black; an open mouth just waiting to swallow me. Just looking at it made my skin crawl, but I hadn't come halfway around the world just to run away screaming at the sight of a scary house. I thought of all the horrors Grandpa Portman had faced in his life, and felt my resolve harden. If there was anyone to find inside, I would find them. I mounted the crumbling steps and crossed the threshold.

* * *

Standing in a tomb-dark hallway just inside the door, I stared frozenly at what looked for all the world like skins hanging from hooks. After a queasy moment in which I imagined some twisted cannibal leaping from the shadows with knife in hand, I realized they were only coats rotted to rags and green with age. I shuddered involuntarily and took a deep breath. I'd only explored ten feet of the house and was already about to foul my underwear. Keep it together, I told myself, and then slowly moved forward, heart hammering in my chest.

Each room was a disaster more incredible than the last. Newspapers gathered in drifts. Scattered toys, evidence of children long gone, lay skinned in dust. Creeping mold had turned window-adjacent walls black and furry. Fireplaces were throttled with vines that had descended from the roof and begun to spread across the floors like alien tentacles. The kitchen was a science experiment gone terribly wrong—entire shelves of jarred food had exploded from sixty seasons of freezing and thawing, splattering the wall with evil-looking stains—and fallen plaster lay so thickly over the dining room floor that for a moment I thought it had snowed indoors. At the end of a light-starved corridor I tested my weight on a rickety staircase, my boots leaving fresh tracks in layers of dust. The steps groaned as if woken from a long sleep. If anyone was upstairs, they'd been there a very long time.

Finally I came upon a pair of rooms missing entire walls, into which a little forest of underbrush and stunted trees had grown. I stood in the sudden breeze wondering what could possibly have done that kind of damage, and began to get the feeling that something terrible had happened here. I couldn't square my grandfather's idyllic stories with this nightmare house, nor the idea that he'd found refuge here with the sense of disaster that pervaded it. There was more left to explore, but suddenly it seemed like a waste of time; it was impossible that anyone could still be living here, even the most misanthropic recluse. I left the house feeling like I was further than ever from the truth.

Chapter 4