A third farmer, rail-thin and wearing a knit cap, pointed at me as we approached. "Here he is!" he called out. "Where you been off to, son?"

Dad patted me on the back. "Tell them," he said confidently.

I tried to sound like I had nothing to hide. "I was exploring the other side of the island. The big house."

Knit Cap looked confused. "Which big house?"

"That wonky old heap in the forest," said Pitchfork. "Only a certified idiot would set foot in there. Place is witched, and a deathtrap to boot."

Knit Cap squinted at me. "In the big house with who?"

"Nobody," I said, and saw Dad give me a funny look.

"Bollocks! I think you was with this one," said the man holding Worm.

"I never killed any sheep!" cried Worm.

"Shaddap!" the man roared.

"Jake?" said my dad. "What about your friends?"

"Ahh, crap, Dad."

Knit Cap turned and spat. "Why you little liar. I oughta belt you right here in fronta God and everybody."

"You stay away from him," my father said, doing his best Stern Dad voice. Knit Cap swore and took a step toward him, and he and my dad squared off. Before either could throw a punch, a familiar voice said, "Hang on, Dennis, we'll get this sorted," and Martin stepped out of the crowd to wedge himself between them. "Just start by telling us whatever your boy told you," he said to my father.

Dad glared at me. "He said he was going to see friends on the other side."

"What friends?" Pitchfork demanded.

I could see this was only going to get uglier unless I did something drastic. Obviously, I couldn't tell them about the children—not that they'd believe me anyway—so instead I took a calculated risk.

"It wasn't anybody," I said, dropping my eyes in feigned shame. "They're imaginary."

"What'd he say?"

"He said his friends were imaginary," my dad repeated, sounding worried.

The farmers exchanged baffled glances.

"See?" Worm said, a flicker of hope on his face. "Kid's a bloody psycho! It had to be him!"

"I never touched them," I said, though no one was really listening.

"It weren't the American," said the farmer who had Worm. He gave Worm's shirt a wrench. "This one here, he's got a history. Few years back I watched him kick a lamb down a cliffside. Wouldn't of believed it if I hadn't seen it wi' me own eyes. After he done it I asked him why. To see if it could fly, he says. He's a sickie, all right."

People muttered in disgust. Worm looked uncomfortable but didn't dispute the story.

"Where's his fishmongerin' mate?" said Pitchfork. "If this one was in on it, you can bet the other one was, too." Someone said they'd seen Dylan by the harbor, and a posse was dispatched to collect him.

"What about a wolf—or a wild dog?" my dad said. "My father was killed by dogs."

"Only dogs on Cairnholm are sheepdogs," replied Knit Cap. "And it ain't exactly in a sheepdog's nature to go about killin' sheep."

I wished my father would give it up and leave while the leaving was good, but he was on the case like Perry Mason. "Just how many sheep are we talking about?" he asked.

"Five," replied the fourth farmer, a short, sour-faced man who hadn't spoken until then. "All mine. Killed right in their pen. Poor devils never even had a chance to run."

"Five sheep. How much blood do you think is in five sheep?"

"A right tubful, I shouldn't wonder," said Pitchfork.

"So wouldn't whoever did this be covered in it?"

The farmers looked at one another. They looked at me, and then at Worm. Then they shrugged and scratched their heads. "Reckon it coulda been foxes," said Knit Cap.

"A whole pack of foxes, maybe," said Pitchfork doubtfully, "if the island's even got that many."

"I still say the cuts are too clean," said the one holding Worm. "Had to have been done with a knife."

"I just don't believe it," my dad replied.

"Then come see for yourself," said Knit Cap. So as the crowd began to disperse, a small group of us followed the farmers out to the scene of the crime. We trudged over a low rise, through a nearby field, to a little brown shed with a rectangular animal pen beyond it. We approached tentatively and peeked through the fence slats.

The violence inside was almost cartoonish, like the work of some mad impressionist who painted only in red. The tramped grass was bathed in blood, as were the pen's weathered posts and the stiff white bodies of the sheep themselves, flung about in attitudes of sheepish agony. One had tried to climb the fence and got its spindly legs caught between the slats. It hung before me at an odd angle, clam-shelled open from throat to crotch, as if it had been unzipped.

I had to turn away. Others muttered and shook their heads, and someone let out a low whistle. Worm gagged and began to cry, which was seen as a tacit admission of guilt; the criminal who couldn't face his own crime. He was led away to be locked in Martin's museum—in what used to be the sacristy and was now the island's makeshift jail cell—until he could be remanded to police on the mainland.

We left the farmer to ponder his slain sheep and went back to town, plodding across wet hills in the slate-gray dusk. Back in the room, I knew I was in for a Stern Dad talking-to, so I did my best to disarm him before he could start in on me.

"I lied to you, Dad, and I'm sorry."

"Yeah?" he said sarcastically, trading his wet sweater for a dry one. "That's big of you. Now which lie are we talking about? I can hardly keep track."

"The one about meeting friends. There aren't any other kids on the island. I made it up because I didn't want you to worry about me being alone over there."

"Well, I do worry, even if your doctor tells me not to."

"I know you do."

"So what about these imaginary friends? Does Golan know about this?"

I shook my head. "That was a lie, too. I just had to get those guys off my back."

Dad folded his arms, not sure what to believe. "Really."

"Better to have them think I'm a little eccentric than a sheep killer, right?"

I took a seat at the table. Dad looked down at me for a long moment, and I wasn't sure if he trusted me or not. Then he went to the sink and splashed water on his face. When he'd toweled off and turned around again, he seemed to have decided it was a lot less trouble to trust me.

"You sure we don't need to call Dr. Golan again?" he asked. "Have a nice long talk?"

"If you want to. But I'm okay."

"This is exactly why I didn't want you hanging out with those rapper guys," he said, because he needed to close with something sufficiently parental for it to count as a proper talking-to.

"You were right about them, Dad," I said, though secretly I couldn't believe either of them was capable of it. Worm and Dylan talked tough, but that was all.

Dad sat down across from me. He looked tired. "I'd still like to know how someone manages to get a sunburn on a day like this."

Right. The sunburn. "Guess I'm pretty sensitive," I said.

"You can say that again," he said dryly.

He let me go, and I went to take a shower and thought about Emma. Then I brushed my teeth and thought about Emma and washed my face and thought about Emma. After that I went to my room and took the apple she'd given me out of my pocket and set it on the nightstand, and then, as if to reassure myself she still existed, I got out my phone and looked through the pictures of her I'd taken that afternoon. I was still looking when I heard my father go to bed in the next room, and still looking when the gennies kicked off and my lamp went out, and when there was no light anywhere but her face on my little screen, I lay there in the dark, still looking.

Chapter 8

Hoping to duck another lecture, I got up early and set out before Dad was awake. I slipped a note under his door and went to grab Emma's apple, but it wasn't on my nightstand where I'd left it. A thorough search of the floor uncovered a lot of dust bunnies and one leathery thing the size of a golf ball. I was starting to wonder if someone had swiped it when I realized that the leathery thing was the apple. At some point during the night it had gone profoundly bad, spoiling like I've never seen fruit spoil. It looked as though it had spent a year locked in a food dehydrator. When I tried to pick it up it crumbled in my hand like a clump of soil.

Puzzled, I shrugged it off and went out. It was pissing rain but I soon left gray skies behind for the reliable sun of the loop. This time, however, there were no pretty girls waiting for me on the other side of the cairn—or anyone, for that matter. I tried not to be too disappointed, but I was, a little.

As soon as I got to the house I started looking for Emma, but Miss Peregrine intercepted me before I'd even made it past the front hall.

"A word, Mr. Portman," she said, and led me into the privacy of the kitchen, still fragrant from the rich breakfast I'd missed. I felt like I'd been summoned to the principal's office.

Miss Peregrine propped herself against the giant cooking range. "Are you enjoying your time with us?" she said.

I told her I was, very much.

"That's good," she replied, and then her smile vanished. "I understand you had a pleasant afternoon with some of my wards yesterday. And a lively discussion as well."

"It was great. They're all really nice." I was trying to keep things light, but I could tell she was winding me up for something.

"Tell me," she said, "how would you describe the nature of your discussion?"

I tried to remember. "I don't know ... we talked about lots of things. How things are here. How they are where I'm from."

"Where you're from."

"Right."

"And do you think it's wise to discuss events in the future with children from the past?"

"Children? Is that really how you think of them?" I regretted saying this even as the words were passing my lips.

"It is how they regard themselves as well," she said testily. "What would you call them?"

Given her mood, it wasn't a subtlety I was prepared to argue. "Children, I guess."

"Indeed. Now, as I was saying," she said, emphasizing her words with little cleaver-chops of her hand on the range, "do you think it's wise to discuss the future with children from the past?"

I decided to go out on a limb. "No?"

"Ah, but apparently you do! I know this because last night at dinner we were treated by Hugh to a fascinating disquisition on the wonders of twenty-first-century telecommunications technology." Her voice dripped with sarcasm. "Did you know that when you send a letter in the twenty-first century, it can be received almost instantaneously?"

"I think you're talking about e-mail."

"Well, Hugh knew all about it."

"I don't understand," I said. "Is that a problem?"

She unleaned herself from the range and took a limping step toward me. Even though she was a full foot shorter than I was, she still managed to be intimidating.

"As an ymbryne, it is my sworn duty to keep those children safe and above all that means keeping them here—in the loop—on this island."

"Okay."

"Yours is a world they can never be part of, Mr. Portman. So what's the use in filling their heads with grand talk about the exotic wonders of the future? Now you've got half the children begging for a jet-airplane trip to America and the other half dreaming of the day when they can own a telephone-computer like yours."

"I'm sorry. I didn't realize."

"This is their home. I have tried to make it as fine a place as I could. But the plain fact is they cannot leave, and I'd appreciate it if you didn't make them want to."

"But why can't they?"

She narrowed her eyes at me for a moment and then shook her head. "Forgive me. I continue to underestimate the breadth of your ignorance." Miss Peregrine, who seemed to be constitutionally incapable of idleness, took a saucepan from the stove top and began scouring it with a steel brush. I wondered if she was ignoring my question or simply weighing how best to dumb down the answer.

When the pan was clean she clapped it back on the stove and said, "They cannot linger in your world, Mr. Portman, because in a short time they would grow old and die."

"What do you mean, die?"

"I'm not certain how I can be more direct. They'll die, Jacob." She spoke tersely, as if wishing to put the topic behind us as quickly as possible. "It may appear to you that we've found a way to cheat death, but it's an illusion. If the children loiter too long on your side of the loop, all the many years from which they have abstained will descend upon them at once, in a matter of hours."

I pictured a person shriveling up and crumbling to dust like the apple on my nightstand. "That's awful," I said with a shudder.

"The few instances of it that I've had the misfortune to witness are among the worst memories of my life. And let me assure you, I've lived long enough to see some truly dreadful things."

"Then it's happened before."

"To a young girl under my own care, regrettably, a number of years ago. Her name was Charlotte. It was the first and last time I ever took a trip to visit one of my sister ymbrynes. In that brief time Charlotte managed to evade the older children who were minding her and wander out of the loop. It was 1985 or '86 at that time, I believe. Charlotte was roving blithely about the village by herself when she was discovered by a constable. When she couldn't explain who she was or where she'd come from—not to his liking, anyhow—the poor girl was shipped off to a child welfare agency on the mainland. It was two days before I could reach her, and by that time she'd aged thirty-five years."

"I think I've seen her picture," I said. "A grown woman in little girl's clothes."

Miss Peregrine nodded somberly. "She never was the same after that. Not right in the head."

"What happened to her?"

"She lives with Miss Nightjar now. Miss Nightjar and Miss Thrush take all the hard cases."

"But it's not as if they're confined to the island, is it?" I asked. "Couldn't they still leave now, from 1940?"

"Yes, and begin aging again, as normal. But to what end? To be caught up in a ferocious war? To encounter people who fear and misunderstand them? And there are other dangers as well. It's best to stay here."

"What other dangers?"

Her face clouded, as if she regretted having brought it up. "Nothing you need concern yourself with. Not yet, at least."

With that she shooed me outside. I asked again what she meant by "other dangers," but she shut the screen door in my face. "Enjoy the morning," she chirped, forcing a smile. "Go find Miss Bloom, I'm sure she's dying to see you." And she disappeared into the house.

I wandered into the yard, wondering how I was supposed to get the image of that withered apple out of my head. Before long, though I did. It's not that I forgot; it just stopped bothering me. It was the strangest thing.

Resuming my mission to find Emma, I learned from Hugh that she was on a supply run to the village, so I settled under a shade tree to wait. Within five minutes I was half-asleep in the grass, smiling like a dope, wondering serenely what might be on the menu for lunch. It was as if just being here had some kind of narcotic effect on me; like the loop itself was a drug—a mood enhancer and a sedative combined—and if I stayed too long, I'd never want to leave.

If that were true, I thought, it would explain a lot of things, like how people could live the same day over and over for decades without losing their minds. Yes, it was beautiful and life was good, but if every day were exactly alike and if the kids really couldn't leave, as Miss Peregrine had said, then this place wasn't just a heaven but a kind of prison, too. It was just so hypnotizingly pleasant that it might take a person years to notice, and by then it would be too late; leaving would be too dangerous.

So it's not even a decision, really. You stay. It's only later—years later—that you begin to wonder what might've happened if you hadn't.

* * *

I must've dozed off, because around midmorning I awoke to something nudging my foot. I cracked an eye to discover a little humanoid figure trying to hide inside my shoe, but it had gotten tangled in the laces. It was stiff-limbed and awkward, half a hubcap tall, dressed in army fatigues. I watched it struggle to free itself for a moment and then go rigid, a wind-up toy on its last wind. I untied my shoe to extricate it and then turned it over, looking for the wind-up key, but I couldn't find one. Up close it was a strange, crude-looking thing, its head a stump of rounded clay, its face a smeared thumbprint.

"Bring him here!" someone called from across the yard. A boy sat waving at me from a tree stump at the edge of the woods.

Lacking any pressing engagements, I picked up the clay soldier and walked over. Arranged around the boy was a whole menagerie of wind-up men, staggering around like damaged robots. As I drew near, the one in my hands jerked to life again, squirming as if he were trying to get away. I put it with the others and wiped shed clay on my pants.

"I'm Enoch," the boy said. "You must be him."

"I guess I am," I replied.

"Sorry if he bothered you," he said, herding the one I'd returned back to the others. "They get ideas, see. Ain't properly trained yet. Only made 'em last week." He spoke with a slight cockney accent. Cadaverous black circles ringed his eyes like a raccoon, and his overalls—the same ones he'd worn in pictures I'd seen—were streaked with clay and dirt. Except for his pudgy face, he might've been a chimney sweep out of Oliver Twist.

"You made these?" I asked, impressed. "How?"

"They're homunculi," he replied. "Sometimes I put doll heads on 'em, but this time I was in a hurry and didn't bother."

"What's a homunculi?"

"More than one homunculus." He said it like it was something any idiot would know. "Some people think its homunculuses, but I think that sounds daft, don't you?"

"Definitely."

The clay soldier I'd returned began wandering again. With his foot, Enoch nudged it back toward the group. They seemed to be going haywire, colliding with one another like excited atoms. "Fight, you nancies!" he commanded, which is when I realized they weren't simply bumping into one another, but hitting and kicking. The errant clay man wasn't interested in fighting, however, and when he began to totter away once more, Enoch snatched him up and snapped off his legs.

"That's what happens to deserters in my army!" he cried, and tossed the crippled figure into the grass, where it writhed grotesquely as the others fell upon it.

"Do you treat all your toys that way?"

"Why?" he said. "Do you feel sorry for them?"

"I don't know. Should I?"

"No. They wouldn't be alive at all if it wasn't for me."

I laughed, and Enoch scowled at me. "What's so funny?"

"You made a joke."

"You are a bit thick, aren't you?" he said. "Look here." He grabbed one of the soldiers and stripped off its clothes. Then with both hands he cracked it down the middle and removed from its sticky chest a tiny, convulsing heart. The soldier instantly went limp. Enoch held the heart between his thumb and forefinger for me to see.

"It's from a mouse," he explained. "That's what I can do—take the life of one thing and give it to another, either clay like this or something that used to be alive but ain't anymore." He tucked the stilled heart into his overalls. "Soon as I figger out how to train 'em up proper, I'll have a whole army like this. Only they'll be massive." And he raised an arm up over his head to show me just how massive.

"What can you do?" he said.

"Me? Nothing, really. I mean, nothing special like you."

"Pity," he replied. "Are you going to come live with us anyway?" He didn't say it like he wanted me to, exactly; he just seemed curious.

"I don't know," I said. "I hadn't thought about it." That was a lie, of course. I had thought about it, but mostly in a daydreaming sort of way.

He looked at me suspiciously. "But don't you want to?"

"I don't know yet."

Narrowing his eyes, he nodded slowly, as if he'd just figured me out.

Then he leaned in and said under his breath, "Emma told you about Raid the Village, didn't she?"

"Raid the what?"

He looked away. "Oh, it's nothing. Just a game some of us play."

I got the distinct feeling I was being set up. "She didn't tell me," I said.

Enoch scooted toward me on the stump. "I bet she didn't," he said. "I bet there's a lot of things about this place she wouldn't like you to know."

"Oh yeah? Why?"

"Cause then you'll see it's not as great as everybody wants you to think, and you won't stay."

"What kinds of things?" I asked.

"Can't tell," he said, flashing me a devilish smile. "I could get in big trouble."

"Whatever," I said. "You brought it up."

I stood to go. "Wait!" he cried, grabbing my sleeve.

"Why should I if you're not going to tell me anything?"

He rubbed his chin judiciously. "It's true, I ain't allowed to say anything ... but I reckon I couldn't stop you if you was to go upstairs and have a look in the room at the end of the hall."

"Why?" I said. "What's in there?"

"My friend Victor. He wants to meet you. Go up and have a chat."

"Fine," I said. "I will."

I started toward the house and then heard Enoch whistle. He mimed running a hand along the top of a door. The key, he mouthed.

"What do I need a key for if someone's in there?"

He turned away, pretending not to hear.

* * *

I sauntered into the house and up the stairs like I had business there and didn't care who knew it. Reaching the second floor unobserved, I crept to the room at end of the hall and tried the door. It was locked. I knocked, but there was no answer. Glancing over my shoulder to make sure no one was watching, I ran my hand along the top of the doorframe. Sure enough, I found a key.

I unlocked the door and slipped inside. It was like any other bedroom in the house—there was a dresser, a wardrobe, a vase of flowers on a nightstand. Late-morning sun shone through drawn curtains the color of mustard, throwing such yellow light everywhere that the whole room seemed encased in amber. Only then did I notice a young man lying in the bed, his eyes closed and mouth slightly open, half-hidden behind a lace curtain.

I froze, afraid I'd wake him. I recognized him from Miss Peregrine's album, though I hadn't seen him at meals or around the house, and we'd never been introduced. In the picture he'd been asleep in bed, just as he was now. Had he been quarantined, infected with some sleeping sickness? Was Enoch trying to get me sick, too?

"Hello?" I whispered. "Are you awake?"

He didn't move. I put a hand on his arm and shook him gently. His head lolled to one side.

Then something terrible occurred to me. To test a theory, I held my hand in front of his mouth. I couldn't feel his breath. My finger brushed his lips, which were cold as ice. Shocked, I pulled my hand away.

Then I heard footsteps and spun around to see Bronwyn in the doorway. "You ain't supposed to be in here!" she hissed.

"He's dead," I said.

Bronwyn's eyes went to the boy and her face puckered. "That's Victor."

Suddenly it came to me, where I'd seen his face. He was the boy lifting the boulder in my grandfather's pictures. Victor was Bronwyn's brother. There was no telling how long he might've been dead; as long as the loop kept looping, it could be fifty years and only look like a day.

"What happened to him?" I asked.

"Maybe I'll wake old Victor up," came a voice from behind us, "and you can ask him yourself." It was Enoch. He came in and shut the door.

Bronwyn beamed at him through welling tears. "Would you wake him? Oh please, Enoch."

"I shouldn't," he said. "I'm running low on hearts as it is, and it takes a right lot of 'em to rise up a human being, even for just a minute."

Bronwyn crossed to the dead boy and began to smooth his hair with her fingers. "Please," she begged, "it's been ages since we talked to Victor."

"Well, I do have some cow hearts pickling in the basement," he said, pretending to consider it. "But I hate to use inferior ingredients. Fresh is always better!"

Bronwyn began to cry in earnest. One of her tears fell onto the boy's jacket, and she hurried to wipe it away with her sleeve.

"Don't get so choked," Enoch said, "you know I can't stand it. Anyway, it's cruel, waking Victor. He likes it where he is."

"And where's that?" I said.

"Who knows? But whenever we rouse him for a chat he seems in a dreadful hurry to get back."

"What's cruel is you toying with Bronwyn like that, and tricking me," I said. "And if Victor's dead, why don't you just bury him?"

Bronwyn flashed me a look of utter derision. "Then we'd never get to see him," she said.

"That stings, mate," said Enoch. "I only mentioned coming up here because I wanted you to have all the facts, like. I'm on your side."

"Yeah? What are the facts, then? How did Victor die?"

Bronwyn looked up. "He got killed by an—owww!" she squealed as Enoch pinched the back of her arm.

"Hush!" he cried. "It ain't for you to tell!"

"This is ridiculous!" I said. "If neither of you will tell me, I'll just go ask Miss Peregrine."

Enoch took a quick stride toward me, eyes wide. "Oh no, you mustn't do that."

"Yeah? Why mustn't I?"

"The Bird don't like us talking about Victor," he said. "It's why she wears black all the time, you know. Anyway, she can't find out we been in here. She'll hang us by our pinky toes!"

As if on cue, we heard the unmistakable sound of Miss Peregrine limping up the stairs. Bronwyn turned white and dashed past me out the door, but before Enoch could escape I blocked his path. "Out of the way!" he hissed.

"Tell me what happened to Victor!"

"I can't!"

"Then tell me about Raid the Village."

"I can't tell you that, neither!" He tried to shove past me again, but when he realized he couldn't, he gave up. "All right, just shut the door and I'll whisper it to you!"

I closed it just as Miss Peregrine was reaching the landing. We stood with our ears pressed to the door for a moment, listening for a sign that we'd been spotted. The headmistress's footsteps came halfway down the hall toward us, then stopped. Another door creaked open, then shut.

"She's gone into her room," Enoch whispered.

"So," I said. "Raid the Village."

Looking like he was sorry he'd brought it up, he motioned me away from the door. I followed, leaning down so he could whisper into my ear. "Like I said, it's a game we play. It works just like the name says."

"You mean you actually raid the village?"

"Smash it up, chase people round, take what we like, burn things down. It's all a good laugh."

"But that's terrible!"

"We got to practice our skills somehow, don't we? Case we ever need to defend ourselves. Otherwise we'd get rusty. Plus there's rules. We ain't allowed to kill anybody. Just scare 'em up a bit, like. And if someone does get hurt, well, they're back right as rain the next day and don't remember nothing about it."

"Does Emma play, too?"

"Nah. She's like you. Says it's evil."

"Well, it is."

He rolled his eyes. "You two deserve each other."

"What's that supposed to mean?"

He rose up to his full five-foot-four-inch height and poked a finger into my chest. "It means you better not get all high an' mighty with me, mate. Because if we didn't raid the damned village once in a while, most of this lot woulda gone off their heads ages ago." He went to the door and put his hand on the knob and then turned back to face me. "And if you think we're wicked, wait'll you see them."

"Them who? What the hell is everyone talking about?"

He held up one finger to shush me, then went out.

I was alone again. My eyes were drawn to the body on the bed. What happened to you, Victor?

Maybe he'd gone crazy and killed himself, I thought—gotten so sick of this cheerful but futureless eternity that he'd guzzled rat poison or taken a dive off a cliff. Or maybe it was them, those "other dangers" Miss Peregrine had alluded to.

I stepped into the hall and had just started toward the stairs when I heard Miss Peregrine's voice behind a half-closed door. I dove into the nearest room, and stayed hidden until she'd limped past me and down the stairs. Then I noticed a pair of boots at the front of a crisply made bed—Emma's boots. I was in her bedroom.

Along one wall was a chest of drawers and a mirror, on the other a writing desk with a chair tucked underneath. It was the room of a neat girl with nothing to hide, or so it seemed until I found a hatbox just inside the closet. It was tied up with string, and in grease pencil across the front was written

It was like waving red underwear at a bull. I sat down with the box in my lap and untied the string. It was packed with a hundred or more letters, all from my grandfather.

My heart picked up speed. This was exactly the kind of gold mine I'd hoped to find in the old ruined house. Sure, I felt bad about snooping, but if people here insisted on keeping things secret, well, I'd just have to find stuff out for myself.

I wanted to read them all but was afraid someone would walk in on me, so I thumbed through them quickly to get an overview. Many were dated from the early 1940s, during Grandpa Portman's time in the army. A random sampling revealed them to be long and sappy, full of declarations of his love and awkward descriptions of Emma's beauty in my grandfather's then-broken English ("You are pretty like flower, have good smell also, may I pick?"). In one he'd enclosed a picture of himself posing atop a bomb with a cigarette dangling from his lips.

Over time, his letters grew shorter and less frequent. By the 1950s there was maybe one a year. The last was dated April 1963; inside the envelope was no letter, just a few pictures. Two were of Emma, snapshots she'd sent him that he'd sent back. The first was from early on—a jokey pose to answer his—of her peeling potatoes and pretending to smoke one of Miss Peregrine's pipes. The next one was sadder, and I imagined she'd sent it after my grandfather had failed to write for a while. The last photo—the last thing he'd ever sent her, in fact—showed my grandfather at middle age, holding a little girl.

I had to stare at the last picture for a minute before I realized who the little girl was. It was my aunt Susie, maybe four years old then. After that, there were no more letters. I wondered how much longer Emma had continued writing to my grandfather without receiving a reply, and what he'd done with her letters. Thrown them out? Stashed them somewhere? Surely, it had to be one of those letters that my father and aunt had found as kids, that made them think their father was a liar and a cheat. How wrong they were.

I heard a throat clear behind me, and turned to see Emma glaring from the doorway. I scrambled to gather the letters, my face flushing, but it was too late. I was caught.

"I'm sorry. I shouldn't be in here."

"I'm bloody well aware of that," she said, "but by all means, don't let me interrupt your reading." She stamped over to her chest of drawers, yanked one out, and threw it clattering to the floor. "While you're at it, why don't you have a look through my knickers, too!"

"I'm really, really sorry," I repeated. "I never do things like this."

"Oh, I shouldn't wonder. Too busy peeping in ladies' windows, I suppose!" She towered over me, shaking with anger, while I struggled to fit all the letters back into the box.

"There's a system, you know. Just give them here, you're mucking everything up!" She sat down and pushed me aside, emptying the box onto the floor and sorting the letters into piles with the speed of a postal worker. Thinking it best to shut my mouth, I watched meekly while she worked.

When she'd calmed a little, she said, "So you want to know about Abe and me, is that it? Because you could've just asked."

"I didn't want to pry."

"Rather a moot point now, wouldn't you say?"

"I guess."

"So? What is it you want to know?"

I thought about it. I wasn't really sure where to start. "Just ... what happened?"

"All right then, we'll skip all the nice bits and go right to the end. It's simple, really. He left. He said he loved me and promised to come back one day. But he never did."

"But he had to go, didn't he? To fight?"

"Had to? I don't know. He said he wouldn't be able to live with himself if he sat out the war while his people were being hunted and killed. Said it was his duty. I suppose duty meant more to him than I did. Anyhow, I waited. I waited and worried through that whole bloody war, thinking every letter that came was a death notice. Then, when the war was finally over, he said he couldn't possibly come back. Said he'd go stark raving. Said he'd learned how to defend himself in the army and he damn well didn't need a nanny like the Bird to look after him anymore. He was going to America to make a home for us, and then he'd send for me. So I waited more. I waited so long that if I'd actually gone to be with him I would've been forty years old. By then he'd taken up with some commoner. And that, as they say, was that."

"I'm sorry. I had no idea."

"It's an old story. I don't drag it out much anymore."

"You blame him for being stuck here," I said.

She gave me a sharp look. "Who says I'm stuck?" Then she sighed. "No, I don't blame him. Just miss him is all."

"Still?"

"Every day."

She finished sorting the letters. "There you have it," she said, clapping the lid on them. "The entire history of my love life in a dusty box in the closet." She drew a deep breath and then shut her eyes and pinched the bridge of her nose. For a moment I could almost see the old woman hiding behind her smooth features. My grandfather had trampled her poor, pining heart, and the wound was still raw, even these many years later.

I thought of putting my arm around her, but something stopped me. Here was this beautiful, funny, fascinating girl who, miracle of miracles, really seemed to like me. But now I understood that it wasn't me she liked. She was heartbroken for someone else, and I was merely a stand-in for my grandfather. That's enough to give anyone pause, I don't care how horny you are. I know guys who are grossed-out by the idea of dating a friend's ex. By that standard, dating your grandfather's ex would practically be incest.

The next thing I knew, Emma's hand was on my arm. Then her head was on my shoulder, and I could feel her chin tracking slowly toward my face. This was kiss-me body language if there ever was such a thing. In a minute our faces would be level and I'd have to choose between locking lips or seriously offending her by pulling away, and I'd already offended her once. It's not that I didn't want to—more than anything I did—but the idea of kissing her two feet from a box of obsessively well-preserved love letters from my grandfather made me feel weird and nervous.

Then her cheek was against mine, and I knew it was now or never, so I said the first mood-killing thing that popped into my head.

"Is there something going on between you and Enoch?"

She pulled away instantly, looking at me like I'd suggested we dine on puppies. "What?! No! Where on earth did you get a twisted idea like that?"

"From him. He sounds kind of bitter when he talks about you, and I get the distinct impression he doesn't want me around, like I'm horning in on his game or something."

Her eyes kept getting wider. "First of all, he doesn't have any 'game' to 'horn in' on, I can assure you of that. He's a jealous fool and a liar."

"Is he?"

"Is he which?"

"A liar."

She narrowed her eyes. "Why? What kind of nonsense has he been spouting?"

"Emma, what happened to Victor?"

She looked shocked. Then, shaking her head, she muttered, "Damn that selfish boy."

"There's something no one here is telling me, and I want to know what it is."

"I can't," she said.

"That's all I've been hearing! I can't talk about the future. You can't talk about the past. Miss Peregrine has us all tied up in knots. My grandfather's last wish was for me to come here and find out the truth. Doesn't that mean anything?"

She took my hand and brought it into her lap and looked down at it. She seemed to be searching for the right words. "You're right," she said finally. "There is something."

"Tell me."

"Not here," she whispered. "Tonight."

We arranged to meet late that night, when my dad and Miss Peregrine would be asleep. Emma insisted it was the only way, because the walls had ears and it was impossible to slip off together during the day without arousing suspicion. To complete the illusion that we had nothing to hide, we spent the rest of the afternoon hanging out in the yard in full view of everyone, and when the sun began to set I walked back to the bog alone.

* * *

It was another rainy evening in the twenty-first century, and by the time I reached the pub I was thankful just to be somewhere dry. I found my dad alone, nursing a beer at a table, so I pulled up a chair and began fabricating stories about my day while toweling off my face with napkins. (Something I was beginning to discover about lying: The more I did it, the easier it got.)

He was hardly even listening. "Huh," he'd say, "that's interesting," and then his gaze would drift off and he'd take another swig of beer.

"What's up with you?" I said. "Are you still pissed at me?"

"No, no, nothing like that." He was about to explain but waved it away. "Ahh, it's stupid."

"Dad. Come on."

"It's just ... this guy who showed up a couple days ago. Another birder."

"Someone you know?"

He shook his head. "Never seen him before. At first I thought he was just some part-time enthusiast yahoo, but he keeps coming back to the same sites, the same nesting grounds, taking notes. He definitely knows what he's doing. Then today I saw him with a banding cage and a pair of Predators, so I know he's a pro."

"Predators?"

"Binoculars. Real serious glass." He'd wadded up his paper placemat and resmoothed it three times now, a nervous habit. "It's just that I thought I had the scoop on this bird population, you know? I really wanted this book to be something special."

"And then this asshole comes along."

"Jacob."

"I mean, this no-good sonofabitch."

He laughed. "Thank you, son, that'll do."

"It will be special," I said reassuringly.

He shrugged. "I dunno. Hope so." But he didn't sound too certain.

I knew exactly what was about to happen. It was part of this pathetic cycle my dad was caught in. He'd get really passionate about some project, talk about it nonstop for months. Then, inevitably, some tiny problem would crop up and throw sand in the gears, and instead of dealing with it he'd let it completely overwhelm him. The next thing you knew, the project would be off and he'd be on to the next one, and the cycle would start again. He got discouraged too easily. It was the reason why he had a dozen unfinished manuscripts locked in his desk, and why the bird store he tried to open with Aunt Susie never got off the ground, and why he had a bachelor's degree in Asian languages but had never been to Asia. He was forty-six years old and still trying to find himself, still trying to prove he didn't need my mother's money.

What he really needed was a pep talk that I didn't feel at all qualified to give, so instead I tried to subtly change the subject. "Where's this interloper staying?" I asked. "I thought we had the only rooms in town."

"I assume he's camping," my dad replied.

"In this weather?"

"It's kind of a hardcore ornithology-geek thing. Roughing it gets you closer to your subjects, both physically and psychologically. Achievement through adversity and all that."

I laughed. "Then why aren't you out there?" I said, then immediately wished I hadn't.

"Same reason my book probably won't happen. There's always someone more dedicated than I am."

I shifted awkwardly in my chair. "I didn't mean it like that. What I meant was—"

"Ssh!" My dad stiffened, glancing furtively toward the door. "Look quick but don't make it obvious. He just walked in."

I shielded my face with the menu and peeked over the top. A scruffy-looking bearded guy stood in the doorway, stamping water from his boots. He wore a rain hat and dark glasses and what appeared to be several jackets layered on top of one another, which made him look both fat and vaguely transient.

"I love the homeless Santa Claus thing he's got going," I whispered. "Not an easy look to pull off. Very next-season."

He ignored me. The man bellied up to the bar, and conversations around him quieted a notch or two. Kev asked what he'd like and the man said something and Kev disappeared into the kitchen. He stared straight ahead as he waited, and a minute later Kev came back and handed the guy a doggie bag. He took it, dropped some bills on the bar, and went to the door. Before leaving, he turned to slowly scan the room. Then, after a long moment, he left.

"What'd he order?" my dad shouted when the door had swung shut.

"Coupla steaks," Kev replied. "Said he didn't care how they were cooked, so he got 'em ten-seconds-a-side rare. No complaints."

People began to mutter and speculate, the volume of their conversations rising again.

"Raw steak," I said to my father. "You gotta admit, even for an ornithologist that's a little weird."

"Maybe he's a raw foodist," Dad replied.

"Yeah, right. Or maybe he got tired of feasting on the blood of lambs."

Dad rolled his eyes. "The man obviously has a camp stove. He probably just prefers to cook out in the open."

"In the rain? And why are you defending him, anyway? I thought he was your archnemesis."

"I don't expect you to understand," he said, "but it would be nice if you didn't make fun of me." And he stood up to go to the bar.

* * *

A few hours later my dad stumbled upstairs, reeking of alcohol, and flopped into his bed. He was asleep instantly, ripping out monster snores. I grabbed a coat and set out to meet Emma, no sneaking necessary.

The streets were deserted and so quiet you could almost hear the dew fall. Clouds stretched thinly across the sky, with just enough moonlight glowing through to light my way. As I crested the ridge, a prickly feeling crept over me, and I looked around to see a man watching me from a distant outcropping. He had his hands raised to his face and his elbows splayed out like he was looking through binoculars. The first thing I thought was damn it, I'm caught, assuming it was one of the sheep farmers out on watch, playing detective. But if so, why wasn't he coming over to confront me? Instead he just stood and watched, and I watched back.

Finally I figured if I'm caught, I'm caught, because whether I went back now or kept going, one way or another word of my late-night excursion would circle back to my dad. So I raised my arm in a one-fingered salute and descended into the chilly fog.

Coming out of the cairn, it looked like the clouds had been peeled back and the moon pumped up like a big, yellow balloon, so bright I almost had to squint. A few minutes later Emma came wading through the bog, apologizing and talking a mile a minute.

"Sorry I'm late. It took ages for everyone to get to bed! Then on my way out I stumbled over Hugh and Fiona snogging each other's faces off in the garden. But don't worry. They promised not to tell if I didn't."

She threw her arms around my neck. "I missed you," she said. "Sorry about before."

"I am, too," I said, patting her back awkwardly. "So, let's talk."

She pulled away. "Not here. There's a better place. A special place."

"I don't know ..."

She took my hand. "Don't be that way. You'll adore it, I promise. And when we get there, I'll tell you everything."

I was pretty certain it was a plot to get me to make out with her, and had I been any older or wiser, or one of those guys for whom make-out sessions with hot girls were so frequent as to be of no consequence, I might've had the emotional and hormonal fortitude to demand that we have our talk right then and there. But I was none of those things. Besides, there was the way she beamed at me, smiling with her whole self, and how a coy gesture like tucking her hair back could make me want to follow her, help her, do anything she asked. I was hopelessly outmatched.

I'll go, but I'm not going to kiss her, I told myself. I repeated it like a mantra as she led me across the bog. Do not kiss! Do not kiss! We headed for town but veered off toward the rocky beach that looked out onto the lighthouse, picking our way down the steep path to the sand.

Reaching the water's edge, she told me to wait and ran off to retrieve something. I stood watching the lighthouse beam wheel around and wash over everything—a million seabirds sleeping in the pitted cliffs; giant rocks exposed by the low tide; a rotted skiff drowning in the sand. When Emma came back I saw that she had changed into her swimsuit and was holding a pair of snorkel masks.

"Oh no," I said. "No way."

"You might want to strip to your skivvies," she said, looking doubtfully at my jeans and coat. "Your outfit's all wrong for swimming."

"That's because I'm not going swimming! I agreed to sneak out and meet you in the middle of the night, fine, but just to talk, not to—"

"We will talk," she insisted.

"Underwater. In my boxers."

She kicked sand at me and started to walk away but then turned and came back. "I'm not going to attack you, if that's what you're in a knit about. Don't flatter yourself."

"I'm not."

"Then quit mucking about and take off those silly trousers!" And then she did attack me, wrestling me to the ground and struggling to remove my belt with one hand while rubbing sand in my face with the other.

"Blaggh!" I cried, spitting out sand, "dirty fighter, dirty fighter!" I had no choice but to return the favor with a fistful of my own, and pretty soon things devolved into a no-holds-barred sand fight. When it was over we were both laughing and trying in vain to brush it all out of our hair.

"Well, now you need a bath, so you might as well get in the damned water."

"Okay, fine."

The water was shockingly cold at first—not a great situation vis-à-vis wearing only boxer shorts—but I got used to the temperature pretty quickly. We waded out past the rocks where, lashed to a depth marker, was a canoe. We clambered into it and Emma handed me an oar and we both started paddling, headed toward the lighthouse. The night was warm and the sea calm, and for a few minutes I lost myself in the pleasant rhythm of oars slapping water. About a hundred yards from the lighthouse, Emma stopped paddling and stepped overboard. To my amazement, she didn't slip under the waves but stood up, submerged only to her knees.

"Are you on a sandbar or something?" I asked.

"Nope." She reached into the canoe, pulled out a little anchor, and dropped it. It fell about three feet before stopping with a metallic clang. A moment later the lighthouse beam swept past and I saw the hull of a ship stretching beneath us on all sides.

"A shipwreck!"

"Come on," she said, "we're nearly there. And bring your mask." She started walking across the wrecked boat's hull.

I stepped out gingerly and followed. To anyone watching from shore, it would've looked like we were walking on water.

"How big is this thing, anyway?" I said.

"Massive. It's an allied warship. Hit a friendly mine and sank right here."

She stopped. "Look away from the lighthouse for a minute," she said. "Let your eyes get used to the dark."

So we stood facing the shore and waited as small waves slapped at our thighs. "All right, now follow me and take a giant breath." She walked over to a dark hole in the ship's hull—a door, from the look of it—then sat down on the edge and plunged in.

This is insane, I thought. And then I strapped on the mask she'd given me and plunged in after her.

I peered into the enveloping blackness between my feet to see Emma pulling herself even farther down by the rungs of a ladder. I grabbed the top of it and followed, descending hand over hand until it stopped at a metal floor, where she was waiting. We seemed to be in some sort of cargo hold, though it was too dark to tell much more than that.

I tapped her elbow and pointed to my mouth. I need to breathe. She patted my arm condescendingly and reached for a length of plastic tubing that hung nearby; it was connected to a pipe that ran up the ladder to the surface. She put the tube in her mouth and blew, her cheeks puffing out with the effort, then took a breath from it and passed it to me. I sucked in a welcome lungful of air. We were twenty feet underwater, inside an old shipwreck, and we were breathing.

Emma pointed at a doorway in front of us, little more than a black hole in the murk. I shook my head. Don't want to. But she took my hand as though I were a frightened toddler and led me toward it, bringing the tube along.

We drifted through the doorway into total darkness. For a while we just hung there, passing the breathing tube between us. There was no sound but our breaths bubbling up and obscure thuds from deep inside the ship, pieces of the broken hull knocking in the current. If I had shut my eyes it wouldn't have been any darker. We were like astronauts floating in a starless universe.

But then a baffling and magnificent thing happened—one by one, the stars came out, here and there a green flash in the dark. I thought I was hallucinating. But then more lit up, and still more, until a whole constellation surged around us like a million green twinkling stars, lighting our bodies, reflecting in our masks. Emma held out a hand and flicked her wrist, but rather than producing a ball of fire her hand glowed a scintillating blue. The green stars coalesced around it, flashing and whirling, echoing her movements like a school of fish, which, I realized, is just what they were.

Mesmerized, I lost all track of time. We stayed there for what seemed like hours, though it was probably only a few minutes. Then I felt Emma nudge me, and we retreated through the doorway and up the ladder, and when we broke the surface again the first thing I saw was the great bold stripe of the Milky Way painted across the heavens, and it occurred to me that together the fish and the stars formed a complete system, coincident parts of some ancient and mysterious whole.

We pulled ourselves onto the hull and took off our masks. For a while we just sat like that, half-submerged, thighs touching, speechless.

"What were those?" I said finally.

"We call them flashlight fish."

"I've never seen one before."

"Most people never do," she said. "They hide."

"They're beautiful."

"Yes."

"And peculiar."

Emma smiled. "They are that, too." And then her hand crept onto my knee, and I let it stay there because it felt warm and good in the cool water. I listened for the voice in my head telling me not to kiss her, but it had gone silent.

And then we were kissing. The profoundness of our lips touching and our tongues pressing and my hand cupping her perfect white cheek barred any thoughts of right or wrong or any memory of why I had followed her there in the first place. We were kissing and kissing and then suddenly it was over. As she pulled away I followed her face with mine. She put a hand on my chest, at once gentle and firm. "I need to breathe, dummy."

I laughed. "Okay."

She took my hands and looked at me, and I looked back. It was almost more intense than kissing, the just looking. And then she said, "You should stay."

"Stay," I repeated.

"Here. With us."

The reality of her words filtered through, and the tingly magic of what had just happened between us numbed out.

"I want to, but I don't think I can."

"Why not?"

I considered the idea. The sun, the feasts, the friends ... and the sameness, the perfect identical days. You can get sick of anything if you have too much of it, like all the petty luxuries my mother bought and quickly grew bored with.

But Emma. There was Emma. Maybe it wasn't so strange, what we could have. Maybe I could stay for a while and love her and then go home. But no. By the time I wanted to leave, it would be too late. She was a siren. I had to be strong.

"It's him you want, not me. I can't be him for you."

She looked away, stung. "That isn't why you should stay. You belong here, Jacob."

"I don't. I'm not like you."

"Yes, you are," she insisted.

"I'm not. I'm common, just like my grandfather."

Emma shook her head. "Is that really what you think?"

"If I could do something spectacular like you, don't you think I would've noticed by now?"

"I'm not meant to tell you this," she said, "but common people can't pass through time loops."

I considered this for a moment, but couldn't make sense of it. "There's nothing peculiar about me. I'm the most average person you'll ever meet."

"I doubt that very much," she replied. "Abe had a rare and peculiar talent, something almost no one else could do."

And then she met my eyes and said, "He could see the monsters."

Chapter 9

He could see the monsters. The moment she said it, all the horrors I thought I'd put behind me came flooding back. They were real. They were real and they'd killed my grandfather.

"I can see them, too," I told her, whispering it like a secret shame.

Her eyes welled and she embraced me. "I knew there was something peculiar about you," she said. "And I mean that as the highest compliment."

I'd always known I was strange. I never dreamed I was peculiar. But if I could see things almost no one else could, it explained why Ricky hadn't seen anything in the woods the night my grandfather was killed. It explained why everyone thought I was crazy. I wasn't crazy or seeing things or having a stress reaction; the panicky twist in my gut whenever they were close—that and the awful sight of them—that was my gift.

"And you can't see them at all?" I asked her.

"Only their shadows, which is why they hunt mainly at night."

"What's stopping them from coming after you right now?" I asked, then corrected myself. "All of us, I mean."

She turned serious. "They don't know where to find us. That and they can't enter loops. So we're safe on the island—but we can't leave."

"But Victor did."

She nodded sadly. "He said he was going mad here. Said he couldn't stand it any longer. Poor Bronwyn. My Abe left, too, but at least he wasn't murdered by hollows."

I forced myself to look at her. "I'm really sorry to have to tell you this ..."

"What? Oh no."

"They convinced me it was wild animals. But if what you're saying is true, my grandfather was murdered by them, too. The first and only time I saw one was the night he died."

She hugged her knees to her chest and closed her eyes. I slid my arm around her, and she tilted her head against mine.

"I knew they'd get him eventually," she whispered. "He promised me he'd be safe in America. That he could protect himself. But we're never safe—none of us—not really."

We sat talking on the wrecked ship until the moon got low and the water lapped at our throats and Emma began to shiver. Then we linked hands and waded back to the canoe. Paddling toward the beach, we heard voices calling our names, and then we came around a rock and saw Hugh and Fiona waving at us on the shore. Even from a distance, it was clear something was wrong.

We tied the canoe and ran to meet them. Hugh was out of breath, bees darting around him in a state of agitation. "Something's happened! You've got to come back with us!"

There was no time to argue. Emma pulled her clothes over her swimsuit and I tripped into my pants, all gritty with sand. Hugh regarded me uncertainly. "Not him, though," he said. "This is serious."

"No, Hugh," Emma said. "The Bird was right. He's one of us."

He gaped at her, then at me. "You told him?!"

"I had to. He'd practically worked it out for himself, anyway."

Hugh seemed taken aback for a moment but then turned and gave me a resolute handshake. "Then welcome to the family."

I didn't know what to say, so I just said, "Thanks."

On the way to the house, we gleaned sketchy bits of information from Hugh about what had happened, but mostly we just ran. When we stopped in the woods to catch our breath, he said, "It's one of the Bird's ymbryne friends. She winged in an hour ago in a terrible state, yelling blue murder and rousing everyone from their beds. Before we could understand what she was getting at she fainted dead off." He wrung his hands, looking miserable. "Oh, I just know something wicked's happened."

"I hope you're wrong," said Emma, and we ran on.

* * *

In the hall just outside the sitting room's closed door, children in rumpled nightclothes huddled around a kerosene lantern, trading rumors about what might have happened.

"Perhaps they forgot to reset their loop," said Claire.

"Bet you it was hollows," Enoch said. "Bet they ate the lot of 'em too, right down to their boots!"

Claire and Olive wailed and clapped their little hands over their faces. Horace knelt beside them and said in a comforting voice, "There, there. Don't let Enoch fill your heads with rubbish. Everyone knows hollows like young ones best. That's why they let Miss Peregrine's friend go—she tastes like old coffee grounds!"

Olive peeked out from between her fingers. "What do young ones taste like?"

"Lingonberries," he said matter-of-factly. The girls wailed again.

"Leave them alone!" Hugh shouted, and a squadron of bees sent Horace yelping down the hall.

"What's going on out there?" Miss Peregrine called from inside the sitting room. "Is that Mr. Apiston I hear? Where are Miss Bloom and Mr. Portman?"

Emma cringed and shot Hugh a nervous look. "She knows?"

"When she found out you were gone, she just about went off her chump. Thought you'd been abducted by wights or some barminess. Sorry, Em. I had to tell her."

Emma shook her head, but all we could do was go in and face the music. Fiona gave us a little salute—as if to wish us luck—and we opened the doors.

Inside the sitting room, the only light was a hearth fire that threw our quivering shadows against the wall. Bronwyn hovered anxiously around an old woman who was teetering half-conscious in a chair, mummied up in a blanket. Miss Peregrine sat on an ottoman, feeding the woman spoonfuls of dark liquid.

When Emma saw her face, she froze. "Oh my God," she whispered. "It's Miss Avocet."

Only then did I recognize her, though just barely, from the photograph Miss Peregrine had shown me of herself as a young girl. Miss Avocet had seemed so indomitable then, but now she looked frail and weak.

As we stood watching, Miss Peregrine brought a silver flask to Miss Avocet's lips and tipped it, and for a moment the elder ymbryne seemed to revive, sitting forward with brightening eyes. But then her expression dulled again and she sank back into the chair.

"Miss Bruntley," said Miss Peregrine to Bronwyn, "go and make up the fainting couch for Miss Avocet and then fetch a bottle of coca wine and another flask of brandy."

Bronwyn trooped out, nodding solemnly as they passed. Next Miss Peregrine turned to us and said in a low voice, "I am tremendously disappointed in you, Miss Bloom. Tremendously. And of all the nights to sneak away."

"I'm sorry, Miss. But how was I to know something bad would happen?"

"I should punish you. However, given the circumstances, it hardly seems worth the effort." She raised a hand and smoothed her mentor's white hair. "Miss Avocet would never have left her wards to come here unless something dire had taken place."

The roaring fire made beads of sweat break out on my forehead, but in her chair Miss Avocet lay shivering. Would she die? Was the tragic scene that had played out between my grandfather and me about to play out again, this time between Miss Peregrine and her teacher? I pictured it: me holding my grandfather's body, terrified and confused, never suspecting the truth about him or myself. What was happening now, I decided, was nothing like what had happened to me. Miss Peregrine had always known who she was.

It hardly seemed like the time to bring it up, but I was angry and couldn't help myself. "Miss Peregrine?" I began, and she looked up. "When were you going to tell me?"

She was about to ask what, but then her eyes went to Emma, and she seemed to read the answer on her face. For a moment she looked mad, but then she saw my anger, and her own faded. "Soon, lad. Please understand. To have laid the entire truth upon you at our first meeting would have been an awful shock. Your behavior was unpredictable. You might've fled, never to return. I could not take that risk."

"So instead you tried to seduce me with food and fun and girls while keeping all the bad things a secret?"

Emma gasped. "Seduce? Oh, please, don't think that of me, Jacob. I couldn't bear it."

"I fear you've badly misjudged us," said Miss Peregrine. "As for seducing you, what you've seen is how we live. There has been no deception, only the withholding of a few facts."

"Well here's a fact for you," I said. "One of those creatures killed my grandfather."

Miss Peregrine stared at the fire for a moment. "I am very sorry to hear that."

"I saw one with my own eyes. When I told people about it, they tried to convince me I was crazy. But I wasn't, and neither was my grandfather. His whole life he'd been telling me the truth, and I didn't believe him." Shame flooded over me. "If I had, maybe he'd still be alive."

Miss Peregrine saw that I was wobbling and offered me the chair across from Miss Avocet.

I sate, and Emma knelt down beside me. "Abe must've known you were peculiar," she said. "And he must've had a good reason for not telling you."

"He did indeed know," replied Miss Peregrine. "He said as much in a letter."

"I don't understand, then. If it was all true—all his stories—and if he knew I was like him, why did he keep it a secret until the last minute of his life?"

Miss Peregrine spoon-fed more brandy to Miss Avocet, who groaned and sat up a little before settling back into the chair. "I can only imagine that he wanted to protect you," she said. "Ours can be a life of trials and deprivations. Abe's life was doubly so because he was born a Jew in the worst of times. He faced a double genocide, of Jews by the Nazis and of peculiars by the hollowgast. He was tormented by the idea that he was hiding here while his people, both Jews and peculiars, were being slaughtered."

"He used to say he'd gone to war to fight monsters," I said.

"He did," said Emma.

"The war ended the Nazis' rule, but the hollowgast emerged stronger than ever," Miss Peregrine continued. "So, like many peculiars, we remained in hiding. But your grandfather returned a changed man. He'd become a warrior, and he was determined to build a life for himself outside the loop. He refused to hide."

"I begged him not to go to America," Emma said. "We all did."

"Why did he choose America?" I asked.

"It had few hollowgast at that time," Miss Peregrine replied. "After the war there was a minor exodus of peculiars to America. For a while many were able to pass as common, as your grandfather did. It was his fondest wish to be common, to live a common life. He often mentioned it in his letters. I'm sure that's why he kept the truth from you for so long. He wanted for you what he could never have for himself."

"To be ordinary," I said.

Miss Peregrine nodded. "But he could never escape his peculiarity. His unique skill, coupled with the prowess he'd honed during the war as a hunter of hollows, made him too valuable. He was often pressed into service, asked to help eradicate troublesome pockets of hollows. His nature was such that he rarely refused."

I thought about all the long hunting trips Grandpa Portman used to go on. My family had a picture of him taken during one of these, though I don't know who took it or when since he almost always went alone. But when I was a kid I thought it was the funniest thing because, in the picture, he's wearing a suit. Who brings a suit on a hunting trip?

Now I knew: Someone who's hunting more than just animals.

I was moved by this new idea of my grandfather, not as a paranoiac gun nut or a secretive philanderer or a man who wasn't there for his family, but as a wandering knight who risked his life for others, living out of cars and cheap motels, stalking lethal shadows, coming home shy a few bullets and marked with bruises he could never quite explain and nightmares he couldn't talk about. For his many sacrifices, he received only scorn and suspicion from those he loved. I guess that's why he wrote so many letters to Emma and Miss Peregrine. They understood.

Bronwyn returned with a decanter of coca-wine and another flask of brandy. Miss Peregrine sent her away and set about mixing them together in a teacup. Then she began to pat Miss Avocet gently on her blue-veined cheek.

"Esmerelda," she said, "Esmerelda, you must rouse yourself and drink this tonic I've prepared."

Miss Avocet moaned, and Miss Peregrine raised the teacup to her lips. The old woman took a few sips and, though she sputtered and coughed, most of the purplish liquid disappeared down her throat. For a moment she stared as if about to sink back into her stupor, but then she sat forward, face brightening.

"Oh, my," she said, her voice a dry rasp. "Have I fallen asleep? How indecorous of me." She looked at us in mild surprise, as if we'd appeared out of nowhere. "Alma? Is that you?"

Miss Peregrine kneaded the old woman's bony hands. "Esmerelda, you've come a long way to see us in the dead of night. I'm afraid you've got us all terribly worked up."

"Have I?" Miss Avocet squinted and furrowed her brow, and her eyes seemed to fix on the opposite wall, alive with flickering shadows. Then a haunted expression stole across her face. "Yes," she said, "I've come to warn you, Alma. You must be on your guard. You mustn't allow yourselves to be taken by surprise, as I was."

Miss Peregrine stopped kneading. "By what?"

"They could only have been wights. A pair of them came in the night, disguised as council members. There are no male council members, of course, but it fooled my sleep-dazed wards just long enough for the wights to bind them and drag them away."

Miss Peregrine gasped. "Oh, Esmerelda ..."

"Miss Bunting and I were awoken by their anguished cries," she explained, "but we found ourselves barricaded inside the house. It took some time to force the doors, but when we did and followed the wights' stink out of the loop, there was a gang of shadow-beasts lying in wait on the other side. They fell upon us, howling." She stopped, choking back tears.

"And the children?"

Miss Avocet shook her head. All the light seemed to have gone out of her eyes. "The children were merely bait," she said.

Emma slid her hand into mine and squeezed, and I saw Miss Peregrine's cheeks glisten in the firelight.

"It was Miss Bunting and myself whom they wanted. I was able to escape, but Miss Bunting was not so fortunate."

"She was killed?"

"No—abducted. Just as Miss Wren and Miss Treecreeper were when their loops were invaded a fortnight ago. They're taking ymbrynes, Alma. It's some sort of coordinated effort. For what purpose, I shudder to imagine."

"Then they'll come for us, too," Miss Peregrine said quietly.

"If they can find you," replied Miss Avocet. "You are better hidden than most, but you must be ready, Alma."

Miss Peregrine nodded. Miss Avocet looked helplessly at her hands, trembling in her lap like a broken-winged bird. Her voice began to hitch. "Oh, my dear children. Pray for them. They are all alone now." And she turned away and wept.

Miss Peregrine pulled the blanket around the old woman's shoulders and rose. We followed her out, leaving Miss Avocet to her grief.

* * *

We found the children huddled around the sitting-room door. If they hadn't heard everything Miss Avocet had said, they'd heard enough, and it showed on their anxious faces.

"Poor Miss Avocet," Claire whimpered, her bottom lip trembling.

"Poor Miss Avocet's children," said Olive.

"Are they coming for us now, Miss?" asked Horace.

"We'll need weapons!" cried Millard.

"Battle-axes!" said Enoch.

"Bombs!" said Hugh.

"Stop that at once!" Miss Peregrine shouted, raising her hands for quiet. "We must all remain calm. Yes, what happened to Miss Avocet was tragic—profoundly so—but it was a tragedy that need not be repeated here. However, we must be on watch. Henceforth, you will travel beyond the house only with my consent, and then only in pairs. Should you observe a person unknown to you, even if they appear to be peculiar, come immediately and inform me. We'll discuss these and other precautionary measures in the morning. Until then, to bed with you! This is no hour for a meeting."

"But Miss—" Enoch began.

"To bed!"

The children scurried off to their rooms. "As for you, Mr. Portman, I'm not terribly comfortable with you traveling alone. I think perhaps you should stay, at least until things calm a bit."

"I can't just disappear. My dad will flip out."

She frowned. "In that case, you must at least spend the night. I insist upon it."

"I will, but only if you'll tell me everything you know about the creatures that killed my grandfather."

She tilted her head, studying me with something like amusement. "Very well, Mr. Portman, I won't argue with your need to know. Install yourself on the divan for the evening and we'll discuss it first thing."

"It has to be now." I'd waited ten years to hear the truth, and I couldn't wait another minute. "Please."

"At times, young man, you tread a precariously thin line between being charmingly headstrong and insufferably pigheaded." She turned to Emma. "Miss Bloom, would you fetch my flask of coca-wine? It seems I won't be sleeping tonight, and I shall have to indulge if I am to keep awake."

* * *

The study was too close to the children's bedrooms for a late-night talk, so the headmistress and I adjourned to a little greenhouse that edged the woods. We sat on overturned planters among climbing roses, a kerosene lantern on the grass between us, dawn not yet broken beyond the glass walls. Miss Peregrine drew a pipe from her pocket, and bent to light it in the lamp flame. She drew a few thoughtful puffs, sending up wreaths of blue smoke, then began.

"In ancient times people mistook us for gods," she said, "but we peculiars are no less mortal than common folk. Time loops merely delay the inevitable, and the price we pay for using them is hefty—an irrevocable divorce from the ongoing present. As you know, long-term loop dwellers can but dip their toes into the present lest they wither and die. This has been the arrangement since time immemorial."

She took another puff, then continued.

"Some years ago, around the turn of the last century, a splinter faction emerged among our people—a coterie of disaffected peculiars with dangerous ideas. They believed they had discovered a method by which the function of time loops could be perverted to confer upon the user a kind of immortality; not merely the suspension of aging, but the reversal of it. They spoke of eternal youth enjoyed outside the confines of loops, of jumping back and forth from future to past with impunity, suffering none of the ill effects that have always prevented such recklessness—in other words, of mastering time without being mastered by death. The whole notion was mad—absolute bunkum—a refutation of the empirical laws that govern everything!"

She exhaled sharply, then paused for a moment to collect herself.

"In any case. My two brothers, technically brilliant but rather lacking in sense, were taken with the idea. They even had the audacity to request my assistance in making it a reality. You're talking about making yourselves into gods, I said. It can't be done. And even if it can, it shouldn't. But they would not be deterred. Having grown up among Miss Avocet's ymbrynes-in-training, they knew more about our unique art than most peculiar males—just enough, I'm afraid, to be dangerous. Despite warnings, even threats, from the Council, in the summer of 1908 my brothers and several hundred members of this renegade faction—a number of powerful ymbrynes among them, traitors every one—ventured into the Siberian tundra to conduct their hateful experiment. For the site they chose a nameless old loop unused for centuries. We expected them to return within a week, tails between their legs, humbled by the immutable nature of nature. Instead, their comeuppance was far more dramatic: a catastrophic explosion that rattled windows as far as the Azores. Anyone within five hundred kilometers surely thought it was the end of the world. We assumed they'd all been killed, that obscene world-cracking bang their last collective utterance."

"But they survived," I guessed.

"In a manner of speaking. Others might call the state of being they subsequently assumed a kind of living damnation. Weeks later there began a series of attacks upon peculiars by awful creatures who, apart from their shadows, could not be seen except by peculiars like yourself—our very first clashes with the hollowgast. It was some time before we realized that these tentacle-mawed abominations were in fact our wayward brothers, crawled from the smoking crater left behind by their experiment. Rather than becoming gods, they had transformed themselves into devils."

"What went wrong?"

"That is still a matter of debate. One theory is that they reverse-aged themselves to a time before even their souls had been conceived, which is why we call them hollowgast—because their hearts, their souls, are empty. In a cruel twist of irony, they achieved the immortality they'd been seeking. It's believed that the hollows can live thousands of years, but it is a life of constant physical torment, of humiliating debasement—feeding on stray animals, living in isolation—and of insatiable hunger for the flesh of their former kin, because our blood is their only hope for salvation. If a hollow gorges itself on enough peculiars, it becomes a wight."

"That word again," I said. "When we first met, Emma accused me of being one."

"I might have thought the same thing, if I hadn't observed you beforehand."

"What are they?"

"If being a hollow is a living hell—and it most certainly is—then being a wight is akin to purgatory. Wights are almost common. They have no peculiar abilities. But because they can pass for human, they live in servitude to their hollow brethren, acting as scouts and spies and procurers of flesh. It's a hierarchy of the damned that aims someday to turn all hollows into wights and all peculiars into corpses."

"But what's stopping them?" I said. "If they used to be peculiar, don't they know all your hiding places?"

"Fortunately, they don't appear to retain any memory of their former lives. And though wights aren't as strong or as frightening as hollows, they're often just as dangerous. Unlike hollows, they're ruled by more than instinct, and are often able to blend into the general population. It can be difficult to distinguish them from common folk, though there are certain indicators. Their eyes, for instance. Curiously, wights lack pupils."

I broke out in goosebumps, remembering the white-eyed neighbor I'd seen watering his overgrown lawn the night my grandfather was killed. "I think I've seen one. I thought he was just an old blind man."

"Then you are more observant than most," she said. "Wights are adept at passing unnoticed. They tend to adopt personas invisible to society: the gray-suited man on the train; the indigent begging for spare coins; just faces in the crowd. Though some have been known to risk exposure by placing themselves in more prominent positions—physicians, politicians, clergymen—in order to interact with a greater number of people, or to have some measure of power over them, so that they can more easily discover peculiars who might be hiding among common folk—as Abe was."

Miss Peregrine reached for a photo album she'd brought from the house and began to flip through it. "These have been reproduced and distributed to peculiars everywhere, rather like wanted posters. Look here," she said, pointing to a picture of two girls astride a fake reindeer, a chilling blank-eyed Santa Claus peeping out through its antlers. "This wight was discovered working in an American department store at Christmas. He was able to interact with a great many children in a remarkably short time—touching them, interrogating them—screening for signs of peculiarity."

She turned the page to reveal a photo of a sadistic-looking dentist. "This wight worked as an oral surgeon. It wouldn't surprise me to learn that the skull he's posing with belonged to one of his peculiar victims."

She flipped the page again, this time to a picture of a little girl cowering before a looming shadow. "This is Marcie. She left us thirty years ago to live with a common family in the countryside. I pleaded with her to stay, but she was determined. Not long after, she was snatched by a wight as she waited for the school bus. A camera was found at the scene with this undeveloped picture inside."

"Who took it?"

"The wight himself. They are fond of dramatic gestures, and invariably leave behind some taunting memento."

I studied the pictures, a small, familiar dread turning inside me.

When I couldn't bear to look at the pictures anymore, I shut the album.

"I tell you all this because to know it is your birthright," Miss Peregrine said, "but also because I need your help. You are the only one among us who can go outside the loop without arousing suspicion. So long as you're with us, and you insist upon traveling back and forth, I need you to watch for new arrivals to the island and report them to me."

"There was one just the other day," I said, thinking of the birder who had upset my dad.

"Did you see his eyes?" she asked.

"Not really. It was dark, and he was wearing a big hat that hid part of his face."

Miss Peregrine chewed her knuckle, her brow furrowing.

"Why? Do you think he could be one of them?"

"It's impossible to be certain without seeing the eyes," she said, "but the possibility that you were followed to the island concerns me very much."

"What do you mean? By a wight?"

"Perhaps the very one you described seeing on the night of your grandfather's death. It would explain why they chose to spare your life—so that you could lead them to an even richer prize: this place."

"But how could they have known I was peculiar? I didn't even know!"

"If they knew about your grandfather, you can be certain they knew about you, as well."

I thought about all the chances they must've had to kill me. All the times I'd felt them nearby in the weeks after Grandpa Portman died. Had they been watching me? Waiting for me to do exactly what I did, and come here?

Feeling overwhelmed, I put my head down on my knees. "I don't suppose you could let me have a sip of that wine," I said.

"Absolutely not."

All of the sudden I felt my chest clench up. "Will I ever be safe anywhere?" I asked her.

Miss Peregrine touched my shoulder. "You're safe here," she said. "And you may live with us as long as you like."

I tried to speak, but all that came out was little stutters. "But I—I can't—my parents."

"They may love you," she whispered, "but they'll never understand."

* * *

By the time I got back to town, the sun was casting its first long shadows across the streets, all-night drinkers were wheeling around lampposts on their reluctant journeys home, fishermen were trudging soberly to the harbor in great black boots, and my father was just beginning to stir from a heavy sleep. As he rolled out of his bed I was crawling into mine, pulling the covers over my sandy clothes only seconds before he opened the door to check on me.

"Feeling okay?"

I groaned and rolled away from him, and he went out. Late that afternoon I woke to find a sympathetic note and a packet of flu pills on the common room table. I smiled and felt briefly guilty for lying to him. Then I began to worry about him, out there wandering across the headlands with his binoculars and little notebook, possibly in the company of a sheep-murdering madman.

Rubbing the sleep from my eyes and throwing on a rain jacket, I walked a circuit around the village and then around the nearby cliffs and beaches, hoping to see either my father or the strange ornithologist—and get a good look at his eyes—but I didn't find either of them. It was nearing dusk when I finally gave up and returned to the Priest Hole, where I found my father at the bar, tipping back a beer with the regulars. Judging from the empty bottles around him, he'd been there a while.

I sat down next to him and asked if he'd seen the bearded birder. He said he hadn't.

"Well, if you do," I said, "do me a favor and keep your distance, okay?"

He looked at me strangely. "Why?"

"He just rubs me the wrong way. What if he's some nutcase? What if he's the one who killed those sheep?"

"Where do you get these bizarre ideas?"

I wanted to tell him. I wanted to explain everything, and for him to tell me he understood and offer some tidbit of parental advice. I wanted, in that moment, for everything to go back to the way it had been before we came here; before I ever found that letter from Miss Peregrine, back when I was just a sort-of-normal messed-up rich kid in the suburbs. Instead, I sat next to my dad for awhile and talked about nothing, and I tried to remember what my life had been like in that unfathomably distant era that was four weeks ago, or imagine what it might be like four weeks from now—but I couldn't. Eventually we ran out of nothing to talk about, and I excused myself and went upstairs to be alone.

Chapter 10

On Tuesday night, most of what I thought I understood about myself had turned out to be wrong. On Sunday morning, my dad and I were supposed to pack our things and go home. I had just a few days to decide what to do. Stay or go—neither option seemed good. How could I possibly stay here and leave behind everthing I'd known? But after all I'd learned, how could I go home?

Even worse, there was no one I could talk to about it. Dad was out of the question. Emma made frequent and passionate arguments as to why I should stay, none of which acknowledged the life I would be abandoning (however meager it seemed), or how the sudden inexplicable disappearance of their only child might affect my parents, or the stifling suffocation that Emma herself had admitted feeling inside the loop. She would only say, "With you here, it'll be better."

Miss Peregrine was even less helpful. Her only answer was that she couldn't make such a decision for me, even though I only wanted to talk it through. Still, it was obvious she wanted me to stay; beyond my own safety, my presence in the loop would make everyone else safer. But I didn't relish the idea of spending my life as their watchdog. (I was beginning to suspect my grandfather had felt the same way, and it was part of the reason he'd refused to return after the war.)

Joining the peculiar children would also mean I wouldn't finish high school or go to college or do any of the normal growing-up things people do. Then again, I had to keep reminding myself, I wasn't normal; and as long as hollows were hunting me, any life lived outside the loop would almost certainly be cut short. I'd spend the rest of my days living in fear, looking over my shoulder, tormented by nightmares, waiting for them to finally come back and punch my ticket. That sounded a lot worse than missing out on college.

Then I thought: Isn't there a third option? Couldn't I be like Grandpa Portman, who for fifty years had lived and thrived and fended off hollows outside the loop? That's when the self-deprecating voice in my head kicked in.

He was military-trained, dummy. A stone-cold badass. He had a walk-in closet full of sawed-off shotguns. The man was Rambo compared to you.

I could sign up for a class at the gun range, the optimistic part of me would think. Take Karate. Work out.

Are you joking? You couldn't even protect yourself in high school! You had to bribe that redneck to be your bodyguard. And you'd wet your pants if you so much as pointed a real gun at anyone.

No, I wouldn't.

You're weak. You're a loser. That's why he never told you who you really were. He knew you couldn't handle it.

Shut up. Shut up.

For days I went back and forth like this. Stay or go. I obsessed constantly without resolution. Meanwhile, Dad completely lost steam on his book. The less he worked, the more discouraged he got, and the more discouraged he got, the more time he spent in the bar. I'd never seen him drink that way—six, seven beers a night—and I didn't want to be around him when he was like that. He was dark, and when he wasn't sulking in silence he would tell me things I really didn't want to know.

"One of these days your mother's gonna leave me," he said one night. "If I don't make something happen pretty soon, I really think she might."

I started avoiding him. I'm not sure he even noticed. It became depressingly easy to lie about my comings and goings.

Meanwhile, at the home for peculiar children, Miss Peregrine instituted a near-lockdown. It was like martial law had been declared: The smaller kids couldn't go anywhere without an escort, the older ones traveled in pairs, and Miss Peregrine had to know where everyone was at all times. Just getting permission to go outside was an ordeal.

Sentries were drafted into rotating shifts to watch the front and rear of the house. At all times of the day and most of the night you could see bored faces peeping out of windows. If they spotted someone approaching, they yanked a pull-chain that rang a bell in Miss Peregrine's room, which meant that whenever I arrived she'd be waiting inside the door to interrogate me. What was happening outside the loop? Had I seen anything strange? Was I sure I hadn't been followed?

Not surprisingly, the kids began to go a little nuts. The little ones got rambunctious while the older ones moped, complaining about the new rules in voices just loud enough to be overheard. Dramatic sighs erupted out of thin air, often the only cue that Millard had wandered into a room. Hugh's insects swarmed and stung people until they were banished from the house, after which Hugh spent all his time at the window, his bees screening the other side of the glass.

Olive, claiming she had misplaced her leaden shoes, took to crawling around the ceiling like a fly, dropping grains of rice on people's heads until they looked up and noticed her, at which point she'd burst into laughter so all-consuming that her levitation would falter and she'd have to grab onto a chandelier or curtain rod just to keep from falling. Strangest of all was Enoch, who disappeared into his basement laboratory to perform experimental surgeries on his clay soldiers that would've made Dr. Frankenstein cringe: amputating the limbs from two to make a hideous spider-man of a third, or cramming four chicken hearts into a single chest cavity in an attempt to create a super-clay-man who would never run out of energy. One by one their little gray bodies failed under the strain, and the basement came to resemble a Civil War field hospital.

For her part, Miss Peregrine remained in a constant state of motion, chain-smoking pipes while limping from room to room to check on the children, as if they might disappear the moment they left her sight. Miss Avocet stayed on, emerging from her torpor now and then to wander the halls, calling out forlornly for her poor abandoned wards before slumping into someone's arms to betaken back to bed. There followed a great deal of paranoid speculation about Miss Avocet's tragic ordeal and why hollows would want to kidnap ymbrynes, with theories ranging from the bizarre (to create the biggest time loop in history, large enough to swallow the whole planet) to the ridiculously optimistic (to keep the hollows company; being a horrible soul-eating monster can get pretty lonely).

Eventually, a morbid quiet settled over the house. Two days of confinement had made everyone lethargic. Believing that routine was the best defense against depression, Miss Peregrine tried to keep everyone interested in her daily lessons, in preparing the daily meals, and in keeping the house spic and span. But whenever they weren't under direct orders to do something, the children sank heavily into chairs, stared listlessly out locked windows, paged through dog-eared books they'd read a hundred times before, or slept.